Contents ( 236)
- LEFT YOU DEAD
- PETER JAMES
- Contents
- 1
- Sunday 1 September
- 2
- Sunday 1 September
- 3
- Sunday 1 September
- 4
- Sunday 1 September
- 5
- Sunday 1 September
- 6
- Sunday 1 September
- 7
- Sunday 1 September
- 8
- Sunday 1 September
- 9
- Monday 2 September
- 10
- Monday 2 September
- 11
- Monday 2 September
- 12
- Monday 2 September
- 13
- Monday 2 September
- 14
- Monday 2 September
- 15
- Monday 2 September
- 16
- Monday 2 September
- 17
- Monday 2 September
- 18
- Monday 2 September
- 19
- Monday 2 September
- 20
- Monday 2 September
- 21
- Monday 2 September
- 22
- Monday 2 September
- 23
- Monday 2 September
- 24
- Monday 2 September
- 25
- Monday 2 September
- 26
- Monday 2 September
- 27
- Monday 2 September
- 28
- Monday 2 September
- 29
- Monday 2 September
- 30
- Monday 2 September
- 31
- Tuesday 3 September
- 32
- Tuesday 3 September
- 33
- Tuesday 3 September
- 34
- Tuesday 3 September
- 35
- Tuesday 3 September
- 36
- Tuesday 3 September
- 37
- Tuesday 3 September
- 38
- Tuesday 3 September
- 39
- Tuesday 3 September
- 40
- Tuesday 3 September
- 41
- Tuesday 3 September
- 42
- Tuesday 3 September
- 43
- Tuesday 3 September
- 44
- Tuesday 3 September
- 45
- Tuesday 3 September
- 46
- Tuesday 3 September
- 47
- Tuesday 3 September
- 48
- Tuesday 3 September
- 49
- Tuesday 3 September
- 50
- Tuesday 3 September
- 51
- Tuesday 3 September
- 52
- Tuesday 3 September
- 53
- Tuesday 3 September
- 54
- Tuesday 3 September
- 55
- Wednesday 4 September
- 56
- Wednesday 4 September
- 57
- Wednesday 4 September
- 58
- Wednesday 4 September
- 59
- Wednesday 4 September
- 60
- Wednesday 4 September
- 61
- Wednesday 4 September
- 62
- Wednesday 4 September
- 63
- Wednesday 4 September
- 64
- Wednesday 4 September
- 65
- Wednesday 4 September
- 66
- Wednesday 4 September
- 67
- Wednesday 4 September
- 68
- Friday 6 September
- 69
- Friday 6 September
- 70
- Friday 6 September
- 71
- Friday 6 September
- 72
- Friday 6 September
- 73
- Friday 6 September
- 74
- Friday 6 September
- 75
- Friday 6 September
- 76
- Five days earlier: Sunday 1 September
- 77
- Sunday 1 September
- 78
- Sunday 1 September
- 79
- The present: Friday 6 September
- 80
- Friday 6 September
- 81
- Friday 6 September
- 82
- Friday 6 September
- 83
- Friday 6 September
- 84
- Friday 6 September
- 85
- Friday 6 September
- 86
- Friday 6 September
- 87
- Friday 6 September
- 88
- Friday 6 September
- 89
- Friday 6 September
- 90
- Saturday 7 September
- 91
- Saturday 7 September
- 92
- Saturday 7 September
- 93
- Saturday 7 September
- 94
- Saturday 7 September
- 95
- Sunday 8 September
- 96
- Monday 9 September
- 97
- Monday 9 September
- 98
- Monday 9 September
- 99
- Monday 9 September
- 100
- Monday 9 September
- 101
- Monday 9 September
- 102
- Thursday 12 September
- 103
- Thursday 12 September
- 104
- Thursday 12 September
- 105
- Thursday 12 September
- 106
- Friday 13 September
- 107
- Friday 13 September
- 108
- Friday 13 September
- 109
- Friday 13 September
- 110
- Friday 13 September
- 111
- Friday 13 September
- 112
- Friday 13 September
- 113
- Friday 13 September
- 114
- Monday 16 September
- GLOSSARY
- ACKNOWLEDGEMENTS
- OUT NOW
- OUT NOW
- LEFT YOU DEAD
When Roy wasn’t fretting about Bruno, he spent much of the time pacing up and down, still thinking about Operation Lagoon. Thinking through Niall Paternoster’s comments and body language when he and Branson had interviewed him yesterday. Thinking about what did and did not fit with the evidence his team was uncovering. Evidence that was increasingly damning.
A swish of curtains made both of them turn round, and they saw Mel, a staff nurse, enter the confined area, closing the curtain behind her. She gave them a breezy but sympathetic smile. ‘I’m going off shift shortly. I know how concerned you are to be at your son’s bedside, but we’re going to be keeping him in this coma for the time being. You are, of course, very welcome to stay here, but I think you’d both be much better off going home and getting a good night’s rest.’
Cleo looked up at the displays on all the monitors to which Bruno was attached. There’d been no apparent change in his condition, so far as she could see.
‘If there’s any deterioration in Bruno’s condition to worry about, you’ll be called immediately,’ Mel said. ‘But, honestly, there isn’t anything for you to do here for now. I would go home and get some rest. Perhaps we’ll have better news tomorrow.’
‘Is that likely, do you think?’ Grace asked in a quiet voice.
She hesitated awkwardly. ‘Are either of you familiar with the Glasgow Coma Scale?’
Cleo nodded.
Mel indicated with her finger for them to follow her, and they stepped out through the curtains into the ward.
Her voice dropping to a whisper, Mel said, ‘We never know how much patients in a coma can hear. Bruno had a score of seven, which isn’t good. But,’ she added, her face brightening just a fraction, ‘we never know for sure. I’ve seen people make a complete recovery from a far worse prognosis than Bruno’s.’
As she left, Roy turned to Cleo. ‘Remind me, what does a score of seven mean?’
‘It’s not great, darling,’ she said. ‘The scale relates to responsiveness to stimuli – to pain, verbalization and eye-opening. Below eight means possible severe brain damage. The highest a patient can have is fifteen.’
‘And the lowest?’
‘Three – which often indicates brainstem death.’
‘So, seven is some hope?’
She nodded bleakly and replied in a whisper. ‘Yes. Some hope for sure.’
He nodded.
‘Listen, Roy, we’ll stay here tonight so we can be close to Bruno in case anything happens. Leave the arrangements at home to Kaitlynn and me.’
They returned to Bruno’s bedside. Grace looked down at his vulnerable young son and held his hand. ‘Don’t worry, Bruno, we’re both here for you, we’re not going home.’
They were interrupted by Bruno’s personal nurse, who said she needed to carry out some checks and asked them to return to the Relatives’ Room. Cleo took Roy’s arm and they walked down the corridor, sobbing.
48
Tuesday 3 September
‘You’re not coming in?’ It was a bad reception area and Glenn Branson’s voice crackled fuzzily through Roy Grace’s phone.