Contents ( 43)
- Dedication
- Contents
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Anders
- Thea
- Acknowledgments
- About the Author
- Books by Jacqueline West
- Back Ad
- Copyright
- About the Publisher
Don’t say good night
she says, she says
Why don’t you come inside
she says, she says
I can change your mind
or time can change your mind for you
Anders flies into the guitar solo. His fingers tear at the strings. Fast. It’s always fast. But tonight the tempo feels a little higher, the motions more elaborate, the beat a little harder. It’s on the very edge of impossible.
Patrick, behind the drums, already glitters with sweat.
Just walk me home
Just walk me home and I’ll be warm
Just walk me home and I’ll be warm
They move straight from “Dead Girl” to “Deep Water,” then to “Cutting Edge.” “Shadow Tag.” “Minotaur.” The songs fly like bullets aimed at something we can’t see. Jezz and Patrick look focused, taut, buried in the music. Anders looks like a burning fuse.
The last strains of “Minotaur” rip through the room.
The audience roars.
Anders halts, swaying back and forth, both hands clenching the guitar. Patrick and Jezz watch him. They’re waiting for the signal, the title of the next song.
But Anders doesn’t speak to them.
He speaks into the microphone instead.
“Hey,” he says, deep and quiet.
The crowd screams back.
They never do this. He never does this.
He goes on, over screams that don’t stop.
“I’m going to try something,” Anders says, in that same slow, deep voice. “Something we haven’t done before. This is called ‘Devil’s Due.’”
I see surprise flicker on Patrick’s face. He and Jezz trade a look. Then, like everyone else, they stare at Anders again.
Anders positions his fingers on the guitar’s neck. He says something over his shoulder to Patrick. Patrick gives a nod. He starts a plain, rapid beat. Jezz backs up, taking his bass to the dark at the edge of the stage.
Anders begins to play.
I haven’t heard this intro before. It’s winding and quick, with a jagged, forward force, almost like staggering footsteps. I haven’t heard it during band practice or when Anders plays in his room late at night. In an instant I know why.
Because it didn’t exist before.
Anders has never played it, never even imagined it, until this moment. It’s coming out of him. Coming through him. Coming straight at us.
Holding on
Holding on to the only sound
the sound of your heartbeat
Breathing in
Breathing in before everything
everything crashes down
And you are not
You are not who I’m waiting for
I can’t lie to you anymore
Should have gotten to me before
before it was too late for
Afterthoughts
That’s all I’ve got
A fistful of regret
But regret is not a reckoning
Don’t forgive me
Don’t forget
Falling in
Falling into the dark again
again I am lost and
Getting close
Getting close to the end of it
the end of it all
And this is not
This is not what I meant to say
but who’s listening anyway
Who’s hearing the songs you play
beneath all the noise and