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Contents ( 43)
  1. Dedication
  2. Contents
  3. Thea
  4. Anders
  5. Thea
  6. Anders
  7. Thea
  8. Anders
  9. Thea
  10. Anders
  11. Thea
  12. Anders
  13. Thea
  14. Anders
  15. Thea
  16. Anders
  17. Thea
  18. Anders
  19. Thea
  20. Anders
  21. Thea
  22. Anders
  23. Thea
  24. Anders
  25. Thea
  26. Anders
  27. Thea
  28. Anders
  29. Thea
  30. Anders
  31. Thea
  32. Anders
  33. Thea
  34. Anders
  35. Thea
  36. Anders
  37. Thea
  38. Acknowledgments
  39. About the Author
  40. Books by Jacqueline West
  41. Back Ad
  42. Copyright
  43. About the Publisher

I get what he’s saying. Jezz was ready to forgive me. Patrick needed another nudge. But here he is.

I look back down at the wheel because I’m afraid of what my face might be doing. “Thanks, guys,” I hear myself mumble. “Really. Thank you.”

“And just because Last Things might be on hiatus doesn’t mean we can’t speak to you or anything.”

“On hiatus?” I swear, my heart actually leaps.

On hiatus. Not over. Not forever.

Then I glance at their faces and see what this really means. Jezz’s face says the door is still open, at least for him. Patrick’s face says the door is still shut. And locked. And that maybe there is no door.

Of course, none of this even matters if I can’t compose or play anymore. I force down a flare of panic.

“I mean . . .” Jezz looks at Patrick, too. “Never say never. But we can talk about that later. When everything makes sense again.”

It’s a small step. A better-than-nothing. “Okay,” I say. “Good.”

We’re all quiet for a minute.

I frown down at our shoes, my ancient knockoff Dr. Martens, Jezz’s red Converse, Patrick’s scuffed work boots, all of us shuffling in the gravel. And suddenly the craving to jump back into our usual routines is so powerful that it almost knocks me down. I want to talk about music with them. Listen to a new track with them. I’d give pretty much anything I own just to get out our instruments and play.

But they aren’t my band anymore.

I still can’t wrap my head around this. It’s like learning that your mom isn’t actually your mom, and that she’ll never be hugging you or helping you with anything again, and she’d really like it if you moved out of her house ASAP.

“So,” I ask when I can finally talk again, “who do you think left the note?”

Jezz looks at Patrick. Patrick doesn’t speak. “I don’t know,” Jezz says. “Maybe it was another one of Frankie’s friends or something. Like Will. He’s not a total psycho. Maybe he knew about their plan and wanted to stop it. In a kind of chickenshit way.”

I nod. “Maybe.”

Patrick makes a little grunting sound. Jezz and I know exactly what this means. It’s the sound that means Patrick disagrees, but he’s not going to say anything unless we ask him to.

“What?” I say.

He lifts one shoulder. “It didn’t look like a guy’s writing.”

We all think for a second.

“Anyway.” Jezz rocks on his feet. “Crazy, about some other car being in the river.”

My heart sinks. “Yeah.”

“I mean, I don’t think you had anything to do with Frankie or with that, but maybe there’s some kind of connection. I mean, things like this just don’t happen all the time. Not in this little town. Right?”

I’m starting to feel sick again. “I don’t know.”

“You know what I think?” Jezz hurries on. “I think there’s something weird happening around here. Around this whole town. I mean, like, bad spirits or something crazy like that. I think it’s affecting all of us.” He nods at my wheel. “I mean, even an ass like Carson Bergdahl wouldn’t normally do something that could kill somebody. And—I’m just saying—you do seem different, dude.” He raises his hands, quickly, placatingly. “Not, like, dangerous different, but like . . . Dude, what was with that song on Saturday night? ‘Devil’s Due’?”