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Contents (43)
  1. Dedication
  2. Contents
  3. Thea
  4. Anders
  5. Thea
  6. Anders
  7. Thea
  8. Anders
  9. Thea
  10. Anders
  11. Thea
  12. Anders
  13. Thea
  14. Anders
  15. Thea
  16. Anders
  17. Thea
  18. Anders
  19. Thea
  20. Anders
  21. Thea
  22. Anders
  23. Thea
  24. Anders
  25. Thea
  26. Anders
  27. Thea
  28. Anders
  29. Thea
  30. Anders
  31. Thea
  32. Anders
  33. Thea
  34. Anders
  35. Thea
  36. Anders
  37. Thea
  38. Acknowledgments
  39. About the Author
  40. Books by Jacqueline West
  41. Back Ad
  42. Copyright
  43. About the Publisher

Shit.

I hadn’t meant to tell them this. I’d planned to keep it secret. I hadn’t meant to throw it out like this, in the middle of an argument, like gas on a bonfire. And I know, by the way both the guys are turning toward me, that I’ve made a huge mistake.

“What?” Jezz is saying. “S&A Artist Management? Like, that agency in the Cities? You turned them down?”

“They wanted to meet with you?” Patrick says softly.

“They wanted us.” I meet Jezz’s eyes. I can’t even look at Patrick now. “They’ve heard us play. I guess they sent a scout once, and we didn’t even know. They wanted to get to us before anybody else could.”

“And you turned them down?” Jezz says again.

Ellie and Lee and Mac have gotten up and gathered at the open back door. Their faces peer in at us, watching. Christ. Even this has to be a performance.

“You guys.” I rake my sweaty hands through my hair. “S&A is small stuff. Little, local stuff. We are going to be big. There is big stuff on its way. I promise you.”

Because I am going to get everything I want. Everything. Just like someone else promised me, months and months ago, that night behind the Crow’s Nest.

“You didn’t even ask us,” Patrick speaks up. His voice is dangerously low. “You just made the call. On your own.”

“We all said we’d wait until we were done with school. Right?” I’m getting louder now. “That’s what we said.”

“Well . . . yeah,” says Jezz. “But there’s only, like, a month and a half left. And it’s S&A.”

“Right. It’s S&A. We can do better.”

“Who cares what we can do?” Patrick’s voice cuts in.

I look back at him.

Patrick’s forearms are like bridge cables. Years of high-speed metal drumming will do that to a guy. The cables twist as he turns the drumsticks slowly around in his hands. “This isn’t about us. You didn’t even ask us. This is all about you.”

I can’t answer. He’s right. And I’m caught.

“But we’re here, too,” says Patrick. He’s still speaking in that strange, low, calm voice I’ve only heard him use once or twice before—and once was right before he turned around and punched a redneck jackass named Kev Burr in the face. “We were going to do this together. Take a year. See what happens. But if you make all the calls, and you mess up, you pull us down with you.”

“It’s true, Anders,” says Jezz. His voice is lighter than Patrick’s, but there’s a seriousness in it I don’t even recognize. “Maybe that was our chance. We shouldn’t just throw it away. I mean, this is Greenwood. You work at the plastics factory, you work for the mill, or you get the hell out.” He shrugs, giving a lopsided smile. “I thought we were getting the hell out.”

“We are.” My hands are starting to shake. “I swear. We are.”