Contents ( 27)
- LADY BALTIMORE
- By Owen Wister
- LADY BALTIMORE
- I: A Word about My Aunt
- II: I Vary My Lunch
- III: Kings Port Talks
- IV: THE GIRL BEHIND THE COUNTER—I
- V: The Boy of the Cake
- VI: In the Churchyard
- VII: The Girl Behind the Counter—II
- VIII: Midsummer-Night's Dream
- IX: Juno
- X: High Walk and the Ladies
- XI: Daddy Ben and His Seed
- XII: From the Bedside
- XIII: The Girl Behind the Counter—III
- XIV: The Replacers
- XV: What She Came to See
- XVI: The Steel Wasp
- XVII: Doing the Handsome Thing
- XVIII: Again the Replacers
- XIX: Udolpho
- XX: What She Wanted Him For
- XXI: Hortense's Cigarette Goes Out
- XXII: Behind the Times
- XXIII: Poor Aunt Carola!
- XXIV: Post Scriptum
"Have you got any creed at all?" he demanded.
"Certainly; but I don't live up to it."
"That's not expected. May I ask what it is?"
"It's in Latin."
"Well, I can probably bear it. Aunt Eliza had a classical tutor for me."
I always relish a chance to recite my favorite poet, and I began accordingly:—
"Laetus in praesens animus quod ultra est
Oderit curare et—"
"I know that one!" he exclaimed, interrupting me. "The tutor made me put it into English verse. I had the severest sort of a time. I ran away from it twice to a deer-hunt." And he, in his turn, recited:—
"Who hails each present hour with zest
Hates fretting what may be the rest,
Makes bitter sweet with lazy jest;
Naught is in every portion blest."
I complimented him, in spite of my slight annoyance at being deprived by him of the chance to declaim Latin poetry, which is an exercise that I approve and enjoy; but of course, to go on with it, after he had intervened with his translation, would have been flat.
"You have written good English, and very close to the Latin, too," I told him, "particularly in the last line." And I picked up from the bridge which we were crossing, an oyster-shell, and sent it skimming over the smooth water that stretched between the low shores, wide, blue, and vacant.
"I suppose you wonder why we call this the 'New Bridge,'" he remarked.
"I did wonder when I first came," I replied.
He smiled. "You're getting used to us!"
This long structure wore, in truth, no appearance of yesterday. It was newer than the "New Bridge" which it had replaced some fifteen years ago, and which for forty years had borne the same title. Spanning the broad river upon a legion of piles, this wooden causeway lies low against the face of the water, joining the town with a serene and pensive country of pines and live oaks and level opens, where glimpses of cabin and plantation serve to increase the silence and the soft, mysterious loneliness. Into this the road from the bridge goes straight and among the purple vagueness gently dissolves away.
We watched a slow, deep-laden boat sliding down toward the draw, across which we made our way, and drew near the further end of the bridge. The straight avenue of the road in front of us took my eyes down its quiet vista, until they were fixed suddenly by an alien object, a growing dot, accompanied by dust, whence came the small, distorted honks of an automobile. These fat, importunate sounds redoubled as the machine rushed toward the bridge, growing up to its full staring, brazen dimensions. Six or seven figures sat in it, all of the same dusty, shrouded likeness, their big glass eyes and their masked mouths suggesting some fabled, unearthly race, a family of replete and bilious ogres; so that as they flew honking by us I called out to John:—