Contents ( 27)
- LADY BALTIMORE
- By Owen Wister
- LADY BALTIMORE
- I: A Word about My Aunt
- II: I Vary My Lunch
- III: Kings Port Talks
- IV: THE GIRL BEHIND THE COUNTER—I
- V: The Boy of the Cake
- VI: In the Churchyard
- VII: The Girl Behind the Counter—II
- VIII: Midsummer-Night's Dream
- IX: Juno
- X: High Walk and the Ladies
- XI: Daddy Ben and His Seed
- XII: From the Bedside
- XIII: The Girl Behind the Counter—III
- XIV: The Replacers
- XV: What She Came to See
- XVI: The Steel Wasp
- XVII: Doing the Handsome Thing
- XVIII: Again the Replacers
- XIX: Udolpho
- XX: What She Wanted Him For
- XXI: Hortense's Cigarette Goes Out
- XXII: Behind the Times
- XXIII: Poor Aunt Carola!
- XXIV: Post Scriptum
"And a very good thing if they could be," I declared.
He wondered a moment. "My aunts? Under a glass case?"
"Yes, indeed—and with all deference be it said! They'd be more invaluable, more instructive, than the classics of a thousand libraries."
He was prepared not to be pleased. "May I ask to whom and for what?"
"Why, you ought to see! You've just been saying it yourself. They would teach our bulging automobilists, our unlicked boy cubs, our alcoholic girls who shout to waiters for 'high-balls' on country club porches—they would teach these wallowing creatures, whose money has merely gilded their bristles, what American refinement once was. The manners we've lost, the decencies we've banished, the standards we've lowered, their light is still flickering in this passing generation of yours. It's the last torch. That's why I wish it could, somehow, pass on the sacred fire."
He shook his head. "They don't want the sacred fire. They want the high-balls—and they have money enough to be drunk straight through the next world!" He was thoughtful. "They are the classics," he added.
I didn't see that he had gone back to my word. "Roman Empire, you mean?"
"No, the others; the old people we're bidding good-by to. Roman Republic! Simple lives, gallant deeds, and one great uniting inspiration. Liberty winning her spurs. They were moulded under that, and they are our true American classics. Nothing like them will happen again."
"Perhaps," I suggested, "our generation is uneasily living in a 'bad quarter-of-an-hour'—good old childhood gone, good new manhood not yet come, and a state of chicken-pox between whiles." And on this I made to him a much-used and consoling quotation about the old order changing.
"Who says that?" he inquired; and upon my telling him, "I hope so," he said, "I hope so. But just now Uncle Sam 'aspires to descend.'"
I laughed at his counter-quotation. "You know your classics, if you don't know Tennyson."
He, too, laughed. "Don't tell Aunt Eliza!"
"Tell her what?"
"That I didn't recognize Tennyson. My Aunt Eliza educated me—and she thinks Tennyson about the only poet worth reading since—well, since Byron and Sir Walter at the very latest!"
"Neither she nor Sir Walter come down to modern poetry—or to alcoholic girls." His tone, on these last words, changed.
Again, as when he had said "an urgent matter," I seemed to feel hovering above us what must be his ceaseless preoccupation; and I wondered if he had found, upon visiting Newport, Miss Hortense sitting and calling for "high-balls."
I gave him a lead. "The worst of it is that a girl who would like to behave herself decently finds that propriety puts her out of the running. The men flock off to the other kind."
He was following me with watching eyes.
"And you know," I continued, "what an anxious Newport parent does on finding her girl on the brink of being a failure."
"I can imagine," he answered, "that she scolds her like the dickens."