"I like the way his hair curls above his ears."

For this Kitty found nothing but an impatient exclamation.

And now the voice of Hortense sank still deeper in dreaminess,—down to where the truth lay; and from those depths came the truth, flashing upward through the drowsy words she spoke: "I think I want him for his innocence."

What light these words may have brought to Kitty, I had no chance to learn; for the voice of Gazza returning with the key put an end to this conversation. But I doubted if Kitty had it in her to fathom the nature of Hortense. Kitty was like a trim little clock that could tick tidily on an ornate shelf; she could go, she could keep up with time, with the rapid epoch to which she belonged, but she didn't really have many works. I think she would have scoffed at that last languorous speech as a piece of Hortense's nonsense, and that is why Hortense uttered it aloud: she was safe from being understood. But in my ears it sounded the note of revelation, the simple central secret of Hortense's fire, a flame fed overmuch with experience, with sophistication, grown cold under the ministrations of adroitness, and lighted now by the "crudity" of John's love-making. And when, after an interval, I had rowed my boat back, and got into the carriage, and started on my long drive from Udolpho to Kings Port, I found that there was almost nothing about all this which I did not know now. Hortense, like most riddles when you are told the answer, was clear:—

"I think I want him for his innocence."

Yes; she was tired of love-making whose down had been rubbed off; she hungered for love-making with the down still on, even if she must pay for it with marriage. Who shall say if her enlightened and modern eye could not look beyond such marriage (when it should grow monotonous) to divorce?