Contents ( 46)
- THE LABOURS OF HERCULES
- AGATHA CHRISTIE
- ETOBICOKE
- EDMUND CORK
- OF HERCULE POIROT I AM
- DEDICATED
- FOREWORD
- THE NEMEAN LION
- VIII
- THE LERNEAN HYDRA
- I 95
- THE ARCADIAN DEER
- VIII
- THE ERYMANTHIAN BOAR
- THE AUGEAN STABLES
- VIII
- THE STYMPHALEAN BIRDS
- VIII
- THE CRETAN BULL
- THE HORSES OF DIOMEDES
- THE GIRDLE OF HYPPOLITA
- THE FLOCK OF GERYON
- THE APPLES OF THE HESPERIDES
- ERCULE POIROT looked
- VIII
- THE CAPTURE OF CERBERUS
- AGATHA CHRISTIE
- LORD EDGWARE DIES
- MURDER IN MESOPOTAMIA
- THE THIRTEEN PROBLEMS
- A CARIBBEAN MYSTERY
- POCKET FULL OF RYE
- THE BODY IN THE LIBRARY
- DEAD MAN'S FOLLY
- THE MIRROR CRACK'D FROM SIDE TO SIDE
- THEY DO IT WITH MIRRORS
- DEATH IN THE CLOUDS
- ORDEAL BY INNOCENCE
- DEATH ON THE NILE
- DUMB WITNESS
- THE SITTAFORD MYSTERY
- THE BIG FOUR
- APPOINTMENT WITH DEATH
- NEMESIS
- THE MURDER ON THE LINKS
- SLEEPING MURDER
"It's broken him up completely," Frobisher
spoke shortly.
"He is very fond of his son ?"
"Wrapped up in the boy. You see, his
wife was drowned in a boating accident
when the boy was only ten years old.
Since then he's lived for nothing but the
child."
"Was he very devoted to his wife ?"
"Worshipped her. Everybody worshipped
her. She was --she was one of the
loveliest women I've ever known." He
paused a moment and then said jerkily, "Care to see her portrait ?"
"I should like to see it very much."
Frobisher pushed back his chair and
rose. Aloud he said:
"Going to show M. Poirot one or two
things, Charles. He's a bit of a con
*»
noisseur."
The Admiral raised a vague hand. Frobisher
tramped along the terrace and
Poirot followed him. For a moment Diana's
face dropped its mask of gaiety and looked
^5
an agonised question. Hugh, too, raised
his head, and looked steadily at the small
man with the big black moustache.
Poirot followed Frobisher into the house.
It was so dim at first coming in out of the
sunlight that he could hardly distinguish
one article from another. But he realised
that the house was full of old and beautiful
things.
Colonel Frobisher led the way to the
Picture Gallery. On the panelled walls
hung portraits of dead and gone Chandlers.
Faces stern and gay, men in court dress
or in Naval uniform. Women in satin and
pearls.
Finally Probisher stopped under a
portrait at the end of the gallery.
"Painted by Orpen,33 he said gruffly.
They stood looking up at a tall woman, her hand on a greyhound's collar. A woman with auburn hair and an expression of
radiant vitality.
"Boy's the spitting image of her," said
Frobisher. "Don't you think so ?33
"In some things, yes.55
"He hasn't got her delicacy --her femininity, of course. He's a masculine edition
--but in all the essential things --" He
256
broke off. "Pity he inherited from the
Chandlers the one thing he could well have
done without. . . ."
They were silent. There was melancholy
in the air all around them—as though
dead and gone Chandlers sighed for the
taint that lay in their blood and which,
remorselessly, from time to time, they
passed on. . . .
Hercule Poirot turned his head to look
at his companion. George Frobisher was
still gazing up at the beautiful woman on
the wall above him. And Poirot said softly:
"You knew her well. ..."
Frobisher spoke jerkily.
"We were boy and girl together. I went
off as a subaltern to India when she was
sixteen. . . . When I got back — she was
married to Charles Chandler."
"You knew him well also ?"
"Charles is one of my oldest friends. He's
my best friend — always has been."
"Did you see much of them — after the
marriage ?"
"Used to spend most of my leaves here.
Like a second home to me, this place.