Contents ( 46)
- THE LABOURS OF HERCULES
- AGATHA CHRISTIE
- ETOBICOKE
- EDMUND CORK
- OF HERCULE POIROT I AM
- DEDICATED
- FOREWORD
- THE NEMEAN LION
- VIII
- THE LERNEAN HYDRA
- I 95
- THE ARCADIAN DEER
- VIII
- THE ERYMANTHIAN BOAR
- THE AUGEAN STABLES
- VIII
- THE STYMPHALEAN BIRDS
- VIII
- THE CRETAN BULL
- THE HORSES OF DIOMEDES
- THE GIRDLE OF HYPPOLITA
- THE FLOCK OF GERYON
- THE APPLES OF THE HESPERIDES
- ERCULE POIROT looked
- VIII
- THE CAPTURE OF CERBERUS
- AGATHA CHRISTIE
- LORD EDGWARE DIES
- MURDER IN MESOPOTAMIA
- THE THIRTEEN PROBLEMS
- A CARIBBEAN MYSTERY
- POCKET FULL OF RYE
- THE BODY IN THE LIBRARY
- DEAD MAN'S FOLLY
- THE MIRROR CRACK'D FROM SIDE TO SIDE
- THEY DO IT WITH MIRRORS
- DEATH IN THE CLOUDS
- ORDEAL BY INNOCENCE
- DEATH ON THE NILE
- DUMB WITNESS
- THE SITTAFORD MYSTERY
- THE BIG FOUR
- APPOINTMENT WITH DEATH
- NEMESIS
- THE MURDER ON THE LINKS
- SLEEPING MURDER
"Plenty of evidence," he said. "We've
got his laboratory and his cultures and the
whole layout!"
Poirot said:
"It is possible, I think, that he has committed
a long line of murders. I may say
that it was not because his mother was a
Jewess that he was dismissed from that
German University. That merely made a
convenient tale to account for his arrival
here and to gain sympathy for him. Actually,
I fancy, he is of pure Aryan blood."
Miss Carnaby sighed.
^Qu'est ce qu^ily a?" asked Poirot.
"I was thinking," said Miss Carnaby,
"of a marvellous dream I had at the First
Festival--hashish, I suppose. I arranged
the whole world so beautifully! No wars,
387
no poverty, no ill health, no ugliness. ..."
"It must have been a fine dream," said
Japp enviously.
Miss Carnaby jumped up. She said:
"I must get home. Emily has been so
anxious. And dear Augustus has been
missing me terribly, I hear."
Hercule Poirot said with a smile:
"He was afraid, perhaps, that like him,
you were going to 'die for Hercule
Poirot'!"
388
11
THE APPLES OF THE HESPERIDES
I
ERCULE POIROT looked
thoughtfully into the face of the
man behind the big mahogany desk.
He noted the generous brow, the mean
mouth, the rapacious line of the jaw and
the piercing, visionary eyes. He understood
from looking at the man why Emery
Power had become the great financial force
that he was.
H
And his eyes falling to the long delicate
hands, exquisitely shaped, that lay on the
desk, he understood, too, why Emery
Power had attained renown as a great collector.
He was known on both sides of the
Atlantic as a connoisseur of works of art.
His passion for the artistic went hand in
hand with an equal passion for the historic.
It was not enough for him that a thing
should be beautiful --he demanded also
389
that it should have a tradition behind it.
Emery Power was speaking. His voice
was quiet --a small, distinct voice that was
more effective than any mere volume of
sound could have been.
"You do not, I know, take many cases
nowadays. But I think you will take this
one.33
"Is it, then, an affair of great moment ?35
Emery Power said:
"It is of moment to me."
Poirot remained in an enquiring attitude,
his head slightly on one side. He looked
like a meditative robin.
The other went on:
"It concerns the recovery of a work of
art. To be exact, a gold chased goblet, dating from the Renaissance. It is said to be the goblet used by Pope Alexander VI
--Roderigo Borgia. He sometimes presented
it to a favoured guest to drink
from. That guest, M. Poirot, usually died.35
"A pretty history,33 Poirot murmured.
"Its career has always been associated
with violence. It has been stolen more than
once. Murder has been done to gain
possession of it. A trail of bloodshed has
followed it through the ages.3'