Contents ( 46)
- THE LABOURS OF HERCULES
- AGATHA CHRISTIE
- ETOBICOKE
- EDMUND CORK
- OF HERCULE POIROT I AM
- DEDICATED
- FOREWORD
- THE NEMEAN LION
- VIII
- THE LERNEAN HYDRA
- I 95
- THE ARCADIAN DEER
- VIII
- THE ERYMANTHIAN BOAR
- THE AUGEAN STABLES
- VIII
- THE STYMPHALEAN BIRDS
- VIII
- THE CRETAN BULL
- THE HORSES OF DIOMEDES
- THE GIRDLE OF HYPPOLITA
- THE FLOCK OF GERYON
- THE APPLES OF THE HESPERIDES
- ERCULE POIROT looked
- VIII
- THE CAPTURE OF CERBERUS
- AGATHA CHRISTIE
- LORD EDGWARE DIES
- MURDER IN MESOPOTAMIA
- THE THIRTEEN PROBLEMS
- A CARIBBEAN MYSTERY
- POCKET FULL OF RYE
- THE BODY IN THE LIBRARY
- DEAD MAN'S FOLLY
- THE MIRROR CRACK'D FROM SIDE TO SIDE
- THEY DO IT WITH MIRRORS
- DEATH IN THE CLOUDS
- ORDEAL BY INNOCENCE
- DEATH ON THE NILE
- DUMB WITNESS
- THE SITTAFORD MYSTERY
- THE BIG FOUR
- APPOINTMENT WITH DEATH
- NEMESIS
- THE MURDER ON THE LINKS
- SLEEPING MURDER
The hotel opened in June, but there was
seldom any one there until July and August.
It was a place ill-supplied with entrances
and exits --if a man were tracked there, he
was caught in a trap. It seemed a fantastic
place to choose as the rendezvous of a gang
of criminals.
And yet, if Lementeuil said his information
was reliable, then Lementeuil was
probably right. Hercule Poirot respected
the Swiss Commissaire of Police. He knew
him as a sound and dependable man.
137
Some reason unknown was bringing
Marrascaud to this meeting-place far above
civilisation.
Hercule Poirot sighed. To hunt down a
ruthless killer was not his idea of a pleasant
holiday. Brain work from an armchair, he
reflected, was more in his line. Not to
ensnare a wild boar upon a mountainside.
A wild boar --that was the term Lementeuil
had used. It was certainly an odd
coincidence. . . .
He murmured to himself: "The fourth
Labour of Hercules. The Erymanthian
Boar ?"
Quietly, without ostentation, he took
careful stock of his fellow passengers.
On the seat opposite him was an American
tourist. The pattern of his clothes, of
his overcoat, the grip he carried, down to
his hopeful friendliness and his naive
absorption in the scenery, even the guide
book in his hand, all gave him away and
proclaimed him a small town American
seeing Europe for the first time. In another
minute or two, Poirot judged, he would
break into speech. His wistful dog-like
expression could not be mistaken.
138
On the other side of the carriage a tall,
rather distinguished looking man with
greyish hair and a big curved nose was
reading a German book. He had the strong
mobile fingers of a musician or a surgeon.
Farther away still were three men all of
the same type. Men with bowed legs and
an indescribable suggestion of horsiness
about them. They were playing cards.
Presently, perhaps, they would suggest a
stranger cutting in on the game. At first
the stranger would win. Afterwards, the
luck would run the other way.
Nothing very unusual about the three
men. The only thing that was unusual was
the place where they were.
One might have seen them in any train
on the way to a race meeting — or on an
unimportant liner. But in an almost empty
funicular—no!
There was one other occupant of the
carriage—a woman. She was tall and
dark. It was a beautiful face — a face that
might have expressed a whole gamut of
emotion—but which instead was frozen
•
into a strange inexpressiveness. She looked
at no one, staring out at the valley below.
Presently, as Poirot had expected, the
139
American began to talk. His name, he said,
was Schwartz. It was his first visit to
Europe. The scenery, he said, was just
grand. He'd been very deeply impressed by
the Castle of Chillon. He didn't think much
of Paris as a city — overrated — he'd been
to the Folies Bergeres and the Louvre and