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Contents ( 46)
  1. THE LABOURS OF HERCULES
  2. AGATHA CHRISTIE
  3. ETOBICOKE
  4. EDMUND CORK
  5. OF HERCULE POIROT I AM
  6. DEDICATED
  7. FOREWORD
  8. THE NEMEAN LION
  9. VIII
  10. THE LERNEAN HYDRA
  11. I 95
  12. THE ARCADIAN DEER
  13. VIII
  14. THE ERYMANTHIAN BOAR
  15. THE AUGEAN STABLES
  16. VIII
  17. THE STYMPHALEAN BIRDS
  18. VIII
  19. THE CRETAN BULL
  20. THE HORSES OF DIOMEDES
  21. THE GIRDLE OF HYPPOLITA
  22. THE FLOCK OF GERYON
  23. THE APPLES OF THE HESPERIDES
  24. ERCULE POIROT looked
  25. VIII
  26. THE CAPTURE OF CERBERUS
  27. AGATHA CHRISTIE
  28. LORD EDGWARE DIES
  29. MURDER IN MESOPOTAMIA
  30. THE THIRTEEN PROBLEMS
  31. A CARIBBEAN MYSTERY
  32. POCKET FULL OF RYE
  33. THE BODY IN THE LIBRARY
  34. DEAD MAN'S FOLLY
  35. THE MIRROR CRACK'D FROM SIDE TO SIDE
  36. THEY DO IT WITH MIRRORS
  37. DEATH IN THE CLOUDS
  38. ORDEAL BY INNOCENCE
  39. DEATH ON THE NILE
  40. DUMB WITNESS
  41. THE SITTAFORD MYSTERY
  42. THE BIG FOUR
  43. APPOINTMENT WITH DEATH
  44. NEMESIS
  45. THE MURDER ON THE LINKS
  46. SLEEPING MURDER

I think, a policeman behind me, but he

can stay in the street. And now, my friend,

what is it ?"

Poirot gallantly relieved her of her fox

furs.

"Why did you put those emeralds in

Professor Liskeard's pocket?" he

demanded. "Ce n'estpasgentille, ce que vous

avez fait la!"

The Countess's eyes opened wide.

"Naturally, it was my our pocket I meant

to put the emeralds!"

"Oh, in my pocket ?"

"Certainly. I cross hurriedly to the table

where you usually sit — but the lights they

are out and I suppose by inadvertence

I put them in the Professor's pocket."

"And why did you wish to put stolen

emeralds in my pocket ?"

"It seemed to me—I had to think

quickly, you understand—the best thing

to do!"

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"Really, Vera, you are impayable\"

"But, dear friend, consider! The police

arrive, the lights go out (our little private

arrangement for the patrons who must not

be embarrassed) and a hand takes my bag off

the table. I snatch it back, but I feel

through the velvet something hard inside.

I slip my hand in, I find what I know by

touch to be jewels and I comprehend at

once who has put them there I"

"Oh you do ?"

"Of course I do! It is that salaud\ It is

that lizard, that monster, that double-faced,

double-crossing, squirming adder of a

pig's son, Paul Varesco."

"The man who is your partner in Hell ?"

"Yes, yes, it is he who owns the place, who puts up the money. Until now I do not betray him--I can keep faith, me! But

now that he double-crosses me, that he

tries to embroil me with the police --ah!

now I will spit his name out--yes, spit it out!"

"Calm yourself," said Poirot, "and come

with me into the next room."

He opened the door. It was a small room

and seemed for a moment to be completely

filled with DOG. Cerberus had looked

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outsize even in the spacious premises of Hell. In the tiny dining-room ofPoirot's service flat there seemed nothing else but

Cerberus in the room. There was also, however, the small and odoriferous man.

"We've turned up here according to

plan, guv'nor," said the little man in a

husky voice.

"Dou dou!" screamed the Countess.

"My angel Dou dou!"

Cerberus beat the floor with his tail - but he did not move.

"Let me introduce you to Mr. William

Higgs," shouted Poirot, above the thunder

of Cerberus's tail. "A master in his profession.

During the brouhaha tonight,"

went on Poirot, "Mr. Higgs induced

Cerberus to follow him up out of Hell."

"You induced him?" The Countess

stared incredulously at the small rat-like

figure. "But how ? How ?"

Mr. Higgs dropped his eyes bashfully.

" 'Ardly like to say afore a lady. But

there's things no dogs won't resist. Follow

me anywhere a dog will if I want 'im to.

Of course you understand it won't work the

same way with bitches --no, that's different, that is." 460