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Contents ( 46)
  1. THE LABOURS OF HERCULES
  2. AGATHA CHRISTIE
  3. ETOBICOKE
  4. EDMUND CORK
  5. OF HERCULE POIROT I AM
  6. DEDICATED
  7. FOREWORD
  8. THE NEMEAN LION
  9. VIII
  10. THE LERNEAN HYDRA
  11. I 95
  12. THE ARCADIAN DEER
  13. VIII
  14. THE ERYMANTHIAN BOAR
  15. THE AUGEAN STABLES
  16. VIII
  17. THE STYMPHALEAN BIRDS
  18. VIII
  19. THE CRETAN BULL
  20. THE HORSES OF DIOMEDES
  21. THE GIRDLE OF HYPPOLITA
  22. THE FLOCK OF GERYON
  23. THE APPLES OF THE HESPERIDES
  24. ERCULE POIROT looked
  25. VIII
  26. THE CAPTURE OF CERBERUS
  27. AGATHA CHRISTIE
  28. LORD EDGWARE DIES
  29. MURDER IN MESOPOTAMIA
  30. THE THIRTEEN PROBLEMS
  31. A CARIBBEAN MYSTERY
  32. POCKET FULL OF RYE
  33. THE BODY IN THE LIBRARY
  34. DEAD MAN'S FOLLY
  35. THE MIRROR CRACK'D FROM SIDE TO SIDE
  36. THEY DO IT WITH MIRRORS
  37. DEATH IN THE CLOUDS
  38. ORDEAL BY INNOCENCE
  39. DEATH ON THE NILE
  40. DUMB WITNESS
  41. THE SITTAFORD MYSTERY
  42. THE BIG FOUR
  43. APPOINTMENT WITH DEATH
  44. NEMESIS
  45. THE MURDER ON THE LINKS
  46. SLEEPING MURDER

"The Professor Liskeard,33 the Countess

announced. "He who knows everything

about the past and who gave me the

valuable hints for the decorations here.53

The Archaeologist shuddered slightly.

"If I'd known what you meant to do!33

he murmured. "The result is so appalling.33

Poirot observed the frescoes more

closely. On the wall facing him Orpheus

and his jazz band played, while Eurydice

looked hopefully towards the grill. On the

opposite wall Osiris and Isis seemed to be

throwing an Egyptian underworld boating

party. On the third wall some bright young

people were enjoying mixed bathing in a

state of Nature.

"The Country of the Young,33 explained

the Countess and added in the same breath,

completing her introductions: "And this

is my little Alice.33

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Poirot bowed to the second occupant of

the table, a severe-looking girl in a check

coat and skirt. She wore horned-rimmed

glasses.

"She is very, very clever," said Countess

Rossakoff. "She has a degree and she is a

psychologist and she knows all the reasons

why lunatics are lunatics! It is not, as you

might think, because they are mad! No, there are all sorts of other reasons! I find that very peculiar."

The girl called Alice smiled kindly but

a little disdainfully. She asked the Professor

in a firm voice if he would like

to dance. He appeared flattered but dubious.

"My dear young lady, I fear I only

waltz."

"This is a waltz," said Alice patiently.

They got up and danced. They did not

dance well.

The Countess Rossakoff sighed. Following

out a train of thought of her own, she

murmured, "And yet she is not really bad-looking. ..."

"She does not make the most of herself,"

said Poirot judicially.

"Frankly," cried the Countess, "I cannot

431

understand the young people of nowadays.

They do not try any more to please - always, in my youth, I tried --the colours that suited me--a little padding in the

frocks --the corset laced tight round the

waist --the hair, perhaps, a more interesting

shade --"

She pushed back the heavy Titian

tresses from her forehead--it was undeniable

that she, at least, was still trying

and trying hard!

"To be content with what Nature has

given you, that --that is stupid I It is also

arrogant! The little Alice she writes pages

of long words about Sex, but how often, I

ask you, does a man suggest to her that they

should go to Brighton for the weekend?

It is all long words and work, and the

welfare of the workers, and the future of

the world. It is very worthy, but I ask you,

is it gay ? And look, I ask you, how drab

these young people have made the world!

It is all regulations and prohibitions! Not

so when I was young."

"That reminds me, how is your son,

Madame ?" At the last moment he substituted

"son", for "little boy", remembering

that twenty years had passed.

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The Countess's face lit up with enthusiastic