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Contents ( 46)
  1. THE LABOURS OF HERCULES
  2. AGATHA CHRISTIE
  3. ETOBICOKE
  4. EDMUND CORK
  5. OF HERCULE POIROT I AM
  6. DEDICATED
  7. FOREWORD
  8. THE NEMEAN LION
  9. VIII
  10. THE LERNEAN HYDRA
  11. I 95
  12. THE ARCADIAN DEER
  13. VIII
  14. THE ERYMANTHIAN BOAR
  15. THE AUGEAN STABLES
  16. VIII
  17. THE STYMPHALEAN BIRDS
  18. VIII
  19. THE CRETAN BULL
  20. THE HORSES OF DIOMEDES
  21. THE GIRDLE OF HYPPOLITA
  22. THE FLOCK OF GERYON
  23. THE APPLES OF THE HESPERIDES
  24. ERCULE POIROT looked
  25. VIII
  26. THE CAPTURE OF CERBERUS
  27. AGATHA CHRISTIE
  28. LORD EDGWARE DIES
  29. MURDER IN MESOPOTAMIA
  30. THE THIRTEEN PROBLEMS
  31. A CARIBBEAN MYSTERY
  32. POCKET FULL OF RYE
  33. THE BODY IN THE LIBRARY
  34. DEAD MAN'S FOLLY
  35. THE MIRROR CRACK'D FROM SIDE TO SIDE
  36. THEY DO IT WITH MIRRORS
  37. DEATH IN THE CLOUDS
  38. ORDEAL BY INNOCENCE
  39. DEATH ON THE NILE
  40. DUMB WITNESS
  41. THE SITTAFORD MYSTERY
  42. THE BIG FOUR
  43. APPOINTMENT WITH DEATH
  44. NEMESIS
  45. THE MURDER ON THE LINKS
  46. SLEEPING MURDER

The girl flushed.

"Don't be stupid. I meant — that wasn't

really your reason — "

She turned on her sister.

"Why don't you say something, Sheila ?"

Sheila started. She said:

"It wasn't — it wasn't anything to do

with Tony Hawker ?"

"Why should it be ?" asked Poirot.

Sheila flushed and went back across the

room to the others.

Pam said with sudden vehemence but

in a lowered voice:

"I don't like Tony Hawker. There—

there's something sinister about him — and

about her — Mrs. Larkin, I mean. Look

at them now."

Poirot followed hex glance.

Hawker's head was close to that of his

hostess. He appeared to be soothing her.

Her voice rose for a minute.

cc — but I can't wait. I want it now\"

Poirot said with a little smile:

"Les femmes — whatever it is — they

always want it now, do they not ?"

317

But Pam Grant did not respond. Her face

was cast down. She was nervously pleating

and repleating her tweed skirt.

Poirot murmured conversationally:

"You are quite a different type from your

sister. Mademoiselle."

She flung her head up, impatient of

banalities. She said:

"M. Poirot. What's the stuff Tony's

been giving Sheila ? What is it that's been

making her — different ?"

He looked straight at her. He asked:

"Have you ever taken cocaine. Miss

Grant ?"

She shook her head.

"Oh no! So that's it? Cocaine? But

isn't that very dangerous ?55

Sheila Grant had come over to them,

a fresh drink in her hand. She said:

"What's dangerous ?"

Poirot said:

"We are talking of the effects of drugtaking.

Of the slow death of the mind and

spirit — the destroying of all that is true

and good in a human being.35

Sheila Grant caught her breath. The

drink in her hand swayed and spilled on

the floor. Poirot went on:

318

"Dr. Stoddart has, I think, made clear

to you just what that death in life entails.

It is so easily done—so hard to undo.

The person who deliberately profits from

the degradation and misery of other people

is a vampire preying on flesh and blood."

He turned away. Behind him he heard

Pam Grant's voice say: "Sheila!" and

caught a whisper—a faint whisper—

from Sheila Grant. It was so low he hardly

heard it.

"The flask . . ."

Hercule Poirot said good-bye to Mrs.

Larkin and went out into the hall. On the

hall table was a hunting flask lying with a

crop and a hat. Poirot picked it up. There

were initials on it: A.H.

Poirot murmured to himself:

"Tony's flask is empty ?"

He shook it gently. There was no sound

of liquor. He unscrewed the top.

Tony Hawker's flask was not empty. It

was full — of white powder. . . .

VI

Hercule Poirot stood on the terrace of Lady

CarmichaeFs house and pleaded with a girl.

He said:

319

"You are very young. Mademoiselle. It