Back Knock Knock
Chapters (74)
  1. Cover
  2. BY ROSLUND & HELLSTRÖM
  3. EARLIER
  4. Chapter 1
  5. Chapter 2
  6. NOW
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. PART2
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. PART3
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. PART4
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. Chapter 33
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. PART5
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Chapter 40
  49. PART6
  50. Chapter 41
  51. PART7
  52. Chapter 42
  53. Chapter 43
  54. Chapter 44
  55. Chapter 45
  56. Chapter 46
  57. Chapter 47
  58. Chapter 48
  59. Chapter 49
  60. PART8
  61. Chapter 50
  62. PART9
  63. Chapter 51
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. Chapter 60
  73. ABOUT THE AUTHOR
  74. What’s next onyour reading list?

The doctor studied the new image, which looked like the borders of a new country on another map, or another island with a new shape.

“Perfect. Now we have something to compare with. Your voice is very deep, much deeper than most, but you probably already know that. I say this because I have some patients who come here quite unaware of how they sound. And therefore they don’t realize the difference afterward.”

Hoffmann nodded. He knew that his voice was easy to recognize. That’s why he was here—he had no other choice. His voice, his appearance, his way of moving. It added up to a personality, what could expose a person.

“The fact that your voice is so deep is a good thing. Because only the bass tones will disappear. I just need to remind you—just to make sure we’re on the same page—that the new condition we will create, shifting your voice upward, is irreversible. Once I’ve stretched out the vocal cords and increased their rigidity they’ll vibrate more quickly, and from that moment on, your voice will be changed forever. Still deep, still a man’s voice, but more like everyone else.”

The operation was usually performed under anesthesia.

Piet Hoffmann didn’t have time for that.

The doctor with no name tag, after an intense discussion, agreed to using only local anesthetic—so the patient who lay on the operating table staring into the icy light was aware of how his neck was being opened, how the cartilage in his larynx was being pulled tight. The next time they communicated—the wound just freshly sewn and taped up—Hoffmann carried out his end via paper and pen. Every time the doctor tried to strongly recommend that a patient should stay for observation after this procedure, Hoffmann replied via a notepad with the hospital’s logo in one corner that he had to go, and he wouldn’t be doing that.

When they sat down at the desk again and Piet Hoffmann spoke into the microphone, they could both see how the map had changed—the points and the lines formed a new voice with another tonal range.

“If you go home now you do so at your own risk. Understood?”

“Understood.”

“You can eat normally tonight, but don’t forget to keep your head bent a bit forward. And please try to speak as little as possible over the next few days. I’m giving you some antibiotics to prevent any infection in the wound.”

The doctor handed him a small round bottle with white tablets inside, and then they both stood up. It was over.

Back at the entrance to the hospital, they were met by heat and sound. It was morning now.

“When the thyroid cartilage and cricoid cartilage are pulled together like this, swallowing usually becomes a little more difficult. It’s nothing dangerous, just uncomfortable, but it will pass in a few weeks.”