Chapters (74)
- Cover
- BY ROSLUND & HELLSTRÖM
- EARLIER
- Chapter 1
- Chapter 2
- NOW
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- PART2
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- PART3
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- PART4
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- PART5
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- PART6
- Chapter 41
- PART7
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- PART8
- Chapter 50
- PART9
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- ABOUT THE AUTHOR
- What’s next onyour reading list?
He ran through every room of the house again. Emptied closets and turned drawers over. Until he opened a cabinet that looked like a broom closet. There it stood, on the shelf at the top. A router.
He remembered now. Passwords often sat on the bottom of the router, a factory code with small and large letters and numbers.
He lifted up the square black device and turned it over.
And there—there it was.
zfqbgs3dwv
He looked for the local network, entered the code.
Waiting.
Waiting.
And . . . yes.
Yes!
He was connected again, sent the pictures of the dead man again.
The only thing left was enduring the wait—for a signal to reach where it was going, out there, up there.
He counted seconds until that became too much, instead he started to pace uneasily back and forth in the house—stacked firewood in the fireplace, ran his hand over the sofa’s fabric, which reminded him of a pair of armchairs his grandparents once had, crouched under the glittering chandeliers and stood in front of a bookshelf with few books, but many photographs in golden frames. He looked at the one that was closest to him. The woman who owned the house, whose name was Vesa Lilaj, she was just a child in this picture, he was sure of it, dressed up in fine clothes at a photographer’s studio. In the next, she sat with a tiara in her hair at a fancy restaurant, probably together with her big brother, mother, and father, a glass of juice in her hand, toasting a life that seemed so obvious.
Now she was lying on the floor, shot in one arm and one leg, holding onto a life partner who had stopped breathing.
Piet Hoffmann put down the picture of the past doing its best inside a gold frame, walked from room to room, was about to give up, stop his meaningless search and send the message again, when he finally heard a weak buzz. He hurried to the table where he’d put the phone, picked it up, but suddenly hesitated, unable to push the message symbol.
If the photographs of a dead man hadn’t made it. If they hadn’t arrived in a telephone in Stockholm.
It would be too late.
9:56 PM
(6 minutes remaining)
He wept.
Not like the woman on the floor who had lost her love.
This was the same pitiful little cry as the first time he balanced Rasmus’s new toy in his hand and realized he was holding a lethal weapon, the kind that stuck fast somewhere at the bottom of the throat before it finally decided to ooze down into the gut.
But this time it was a cry of relief. The photos had made it. The proof that his mission was completed, and that Zofia and the children were still hidden in safety.