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Chapters (74)
  1. Cover
  2. BY ROSLUND & HELLSTRÖM
  3. EARLIER
  4. Chapter 1
  5. Chapter 2
  6. NOW
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. PART2
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. PART3
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. PART4
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. Chapter 33
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. PART5
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Chapter 40
  49. PART6
  50. Chapter 41
  51. PART7
  52. Chapter 42
  53. Chapter 43
  54. Chapter 44
  55. Chapter 45
  56. Chapter 46
  57. Chapter 47
  58. Chapter 48
  59. Chapter 49
  60. PART8
  61. Chapter 50
  62. PART9
  63. Chapter 51
  64. Chapter 52
  65. Chapter 53
  66. Chapter 54
  67. Chapter 55
  68. Chapter 56
  69. Chapter 57
  70. Chapter 58
  71. Chapter 59
  72. Chapter 60
  73. ABOUT THE AUTHOR
  74. What’s next onyour reading list?

My aunt lives alone here. There are traces of a former husband in old pictures in the bookshelf and on a wooden table in the hall, but I haven’t figured out yet if she’s widowed or divorced. We need to get to know each other better before I ask her that. She’ll tell when she’s done asking all of her questions, so many of which I cannot answer.

It’s a beautiful house. Way too big for just one person. The silence of the water and the lack of any neighbors feels peaceful, the noise that’s always inside my head seems to almost stop here, but it soon starts again with a different kind of spinning. And when my aunt pulls a photo album out of a huge escritoire, this new noise gets even worse, spreads into every part of me. Suddenly I realize it’s impossible to delete yourself. All the pictures I burned at Thomas and Anette’s, and all along sitting in a box in a tiny city in northern Albania there were just as many.

Who is that girl with Zana written beneath her picture?

What is she thinking?

I can see that she’s me, we have similar features, but I don’t feel close to her, she’s a stranger. It was too long ago to connect it with the present.

My favorite is a photo that takes up a whole page of the album. Mom and Dad. Before Eliot and Julia and I even existed. They’re so young, like I am now. They hold each other, love each other, trust each other. They could do anything, be anything. They have no idea that in just a few years they’ll be dead in an apartment in Stockholm, along with their two oldest children. I wish I could talk to them, warn them. Because there, in that photograph, they’re still alive.

“You can’t stay here, Zana, do you understand?”

“Here? With you?”

“In Albania. In Shkodër.”

“I just got here!”

“And now you have to leave again.”

“Not stay . . . I’m home. That’s how it feels. Aunt Vesa? I’m home for the very first time.”

“You’ve been going around asking a lot of questions. It’s dangerous. Very dangerous.”

“What’s so dangerous?”

“The wrong people found out. And they don’t take risks.”

“Risks? Why? I don’t understand.”

“Because your father was very successful.”