For the next decade, Sarton continued to write and publish novels and poetry. In 1945, she met Judy Matlack in Santa Fe, New Mexico, and the two became partners for the next thirteen years, during which she would suffer the deaths of several loved ones: her mother in 1950, Marie Closset in 1952, and her father in 1956. Following this last loss, Sarton’s relationship fell apart, and she moved to New Hampshire to start over. She was, however, to remain attached to Matlack for the rest of her life, and Matlack’s death in 1983 affected her keenly. Honey in the Hive, published in 1988, is about their relationship.

While the 1950s were a time of great personal upheaval for Sarton, they were a time of success in equal measure. In 1956, her novel Faithful Are the Wounds was nominated for a National Book Award, followed by nominations in 1958 for The Birth of a Grandfather and a volume of poetry, In Time Like Air; some consider the latter to be one of Sarton’s best books of poetry. In 1965, she published Mrs. Stevens Hears the Mermaids Singing, which is frequently referred to as her coming-out novel. From then on, her work became a key point of reference in the fields of feminist and LGBT literature. Strongly opposed to being categorized as a lesbian writer, Sarton constantly strove to ensure that her portraits of humanity were relatable to a universal audience, regardless of readers’ sexual identities.

In 1974, Sarton published her first children’s book, Punch’s Secret, followed by A Walk Through the Woods in 1976. During the seventies, Sarton was diagnosed with breast cancer—the beginning of a long and arduous illness. However, she continued to work during this difficult period and received a spate of critical acclaim for her literary contributions.

In 1990, she suffered a severe stroke that reduced her concentration span and her ability to write, although she did continue to dictate her journals when she could. Sarton died of breast cancer on July 16, 1995. She is buried in Nelson, New Hampshire.

MAY SARTON

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