Back Jonathan Strange & Mr Norrell
Chapters (81)
  1. Cover
  2. JONATHAN STRANGE & Mr NORRELL
  3. Dedication
  4. Preface
  5. Volume IMr Norrell
  6. 1The library at Hurtfew
  7. 2The Old Starre Inn
  8. 3The stones of York
  9. 4The Friends of English Magic
  10. 5Drawlight
  11. 6“Magic is not respectable, sir.”
  12. 7An opportunity unlikely to occur again
  13. 8A gentleman with thistle-down hair
  14. 9Lady Pole
  15. 10The difficulty of finding employment for a magician
  16. 11Brest
  17. 12The Spirit of English Magic urges Mr Norrell to the Aid of Britannia
  18. 13The magician of Threadneedle-street
  19. 14Heart-break Farm
  20. 15“How is Lady Pole?”
  21. 16Lost-hope
  22. 17The unaccountable appearance of twenty-five guineas
  23. 18Sir Walter consults gentlemen in several professions
  24. 19The Peep-O’Day-Boys
  25. 20The unlikely milliner
  26. 21The cards of Marseilles
  27. 22The Knight of Wands
  28. Volume IIJonathan Strange
  29. 23The Shadow House
  30. 24Another magician
  31. 25The education of a magician
  32. 26Orb, crown and sceptre
  33. 27The magician’s wife
  34. 28The Duke of Roxburghe’s library
  35. 29At the house of José Estoril
  36. 30The book of Robert Findhelm
  37. 31Seventeen dead Neapolitans
  38. 32The King
  39. 33Place the moon at my eyes
  40. 34On the edge of the desert
  41. 35The Nottinghamshire gentleman
  42. 36All the mirrors of the world
  43. 37The Cinque Dragownes
  44. 38From The Edinburgh Review
  45. 39The two magicians
  46. 40“Depend upon it; there is no such place.”
  47. 41Starecross
  48. 42Strange decides to write a book
  49. 43The curious adventure of Mr Hyde
  50. 44Arabella
  51. Volume IIIJohn Uskglass
  52. 45Prologue to The History and Practice of English Magic
  53. 46“The sky spoke to me …”
  54. 47“A black lad and a blue fella – that ought to mean summat.”
  55. 48The Engravings
  56. 49Wildness and madness
  57. 50The History and Practice of English Magic
  58. 51A family by the name of Greysteel
  59. 52The old lady of Cannaregio
  60. 53A little dead grey mouse
  61. 54A little box, the colour of heartache
  62. 55The second shall see his dearest possession in his enemy’s hand
  63. 56The Black Tower
  64. 57The Black Letters  1
  65. 58Henry Woodhope pays a visit
  66. 59Leucrocuta, the Wolf of the Evening
  67. 60Tempest and lies
  68. 61Tree speaks to Stone; Stone speaks to Water
  69. 62I came to them in a cry that broke the silence of a winter wood
  70. 63The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache
  71. 64Two versions of Lady Pole
  72. 65The ashes, the pearls, the counterpane and the kiss
  73. 66Jonathan Strange and Mr Norrell
  74. 67The hawthorn tree
  75. 68“Yes.”
  76. 69Strangites and Norrellites
  77. Acknowledgements
  78. Notes
  79. A Note on the Author
  80. By the Same Author
  81. Also Available by Susanna Clarke

The room seemed to be full of light, although the day was every bit as grey and forbidding as it had been before. “So where does all this light come from?” wondered Arabella. “It is almost as if it shines out of the paintings, but that is impossible.” The paintings were all of Venice3 and certainly the great quantities of sky and sea which they contained made the room seem somehow insubstantial.

When she had done examining the paintings upon one wall, she turned to cross to the opposite wall and immediately discovered – much to her mortification – that she was not alone. A young woman was sitting before the fire on a blue sopha, regarding her with some curiosity. The sopha had a rather high back, which was the reason Arabella had not observed her before.

“Oh! I do beg your pardon!”

The young woman said nothing.

She was a remarkably elegant woman with a pale, perfect skin and dark hair most gracefully arranged. She wore a gown of white muslin and an Indian shawl of ivory, silver and black. She seemed altogether too well dressed to be a governess and too much at home to be a lady’s companion. Yet if she were a guest in the house, why had Sir Walter not introduced her?

Arabella curtsied to the young woman and, blushing slightly, said, “I thought there was no one here! I beg your pardon for intruding upon you.” She turned to leave.

“Oh!” said the young woman. “I hope you do not think of going! I so rarely see any one – scarcely any one at all! And besides you wished to see the paintings! You cannot deny it, you know, for I saw you in that mirror as you entered the room and your intention was plain.” A large Venetian mirror hung above the fireplace. It had a most elaborate frame which was also made of mirror-glass and it was decorated with the ugliest glass flowers and scrolls imaginable. “I hope,” said the young woman, “that you will not allow me to prevent you.”

“But I fear I disturb you,” said Arabella.

“Oh, but you do not!” The young woman gestured towards the paintings, “Pray. Continue.”

So, feeling it would be a still worse breach of manners to refuse, Arabella thanked the young woman and went and examined the other paintings, but she did it less minutely than before because she was conscious that the young woman watched her in the mirror the entire time.

When she had finished, the young woman asked Arabella to sit. “And how do they please you?” she asked.