Chapters (81)
- Cover
- JONATHAN STRANGE & Mr NORRELL
- Dedication
- Preface
- Volume IMr Norrell
- 1The library at Hurtfew
- 2The Old Starre Inn
- 3The stones of York
- 4The Friends of English Magic
- 5Drawlight
- 6“Magic is not respectable, sir.”
- 7An opportunity unlikely to occur again
- 8A gentleman with thistle-down hair
- 9Lady Pole
- 10The difficulty of finding employment for a magician
- 11Brest
- 12The Spirit of English Magic urges Mr Norrell to the Aid of Britannia
- 13The magician of Threadneedle-street
- 14Heart-break Farm
- 15“How is Lady Pole?”
- 16Lost-hope
- 17The unaccountable appearance of twenty-five guineas
- 18Sir Walter consults gentlemen in several professions
- 19The Peep-O’Day-Boys
- 20The unlikely milliner
- 21The cards of Marseilles
- 22The Knight of Wands
- Volume IIJonathan Strange
- 23The Shadow House
- 24Another magician
- 25The education of a magician
- 26Orb, crown and sceptre
- 27The magician’s wife
- 28The Duke of Roxburghe’s library
- 29At the house of José Estoril
- 30The book of Robert Findhelm
- 31Seventeen dead Neapolitans
- 32The King
- 33Place the moon at my eyes
- 34On the edge of the desert
- 35The Nottinghamshire gentleman
- 36All the mirrors of the world
- 37The Cinque Dragownes
- 38From The Edinburgh Review
- 39The two magicians
- 40“Depend upon it; there is no such place.”
- 41Starecross
- 42Strange decides to write a book
- 43The curious adventure of Mr Hyde
- 44Arabella
- Volume IIIJohn Uskglass
- 45Prologue to The History and Practice of English Magic
- 46“The sky spoke to me …”
- 47“A black lad and a blue fella – that ought to mean summat.”
- 48The Engravings
- 49Wildness and madness
- 50The History and Practice of English Magic
- 51A family by the name of Greysteel
- 52The old lady of Cannaregio
- 53A little dead grey mouse
- 54A little box, the colour of heartache
- 55The second shall see his dearest possession in his enemy’s hand
- 56The Black Tower
- 57The Black Letters 1
- 58Henry Woodhope pays a visit
- 59Leucrocuta, the Wolf of the Evening
- 60Tempest and lies
- 61Tree speaks to Stone; Stone speaks to Water
- 62I came to them in a cry that broke the silence of a winter wood
- 63The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache
- 64Two versions of Lady Pole
- 65The ashes, the pearls, the counterpane and the kiss
- 66Jonathan Strange and Mr Norrell
- 67The hawthorn tree
- 68“Yes.”
- 69Strangites and Norrellites
- Acknowledgements
- Notes
- A Note on the Author
- By the Same Author
- Also Available by Susanna Clarke
The room seemed to be full of light, although the day was every bit as grey and forbidding as it had been before. “So where does all this light come from?” wondered Arabella. “It is almost as if it shines out of the paintings, but that is impossible.” The paintings were all of Venice3 and certainly the great quantities of sky and sea which they contained made the room seem somehow insubstantial.
When she had done examining the paintings upon one wall, she turned to cross to the opposite wall and immediately discovered – much to her mortification – that she was not alone. A young woman was sitting before the fire on a blue sopha, regarding her with some curiosity. The sopha had a rather high back, which was the reason Arabella had not observed her before.
“Oh! I do beg your pardon!”
The young woman said nothing.
She was a remarkably elegant woman with a pale, perfect skin and dark hair most gracefully arranged. She wore a gown of white muslin and an Indian shawl of ivory, silver and black. She seemed altogether too well dressed to be a governess and too much at home to be a lady’s companion. Yet if she were a guest in the house, why had Sir Walter not introduced her?
Arabella curtsied to the young woman and, blushing slightly, said, “I thought there was no one here! I beg your pardon for intruding upon you.” She turned to leave.
“Oh!” said the young woman. “I hope you do not think of going! I so rarely see any one – scarcely any one at all! And besides you wished to see the paintings! You cannot deny it, you know, for I saw you in that mirror as you entered the room and your intention was plain.” A large Venetian mirror hung above the fireplace. It had a most elaborate frame which was also made of mirror-glass and it was decorated with the ugliest glass flowers and scrolls imaginable. “I hope,” said the young woman, “that you will not allow me to prevent you.”
“But I fear I disturb you,” said Arabella.
“Oh, but you do not!” The young woman gestured towards the paintings, “Pray. Continue.”
So, feeling it would be a still worse breach of manners to refuse, Arabella thanked the young woman and went and examined the other paintings, but she did it less minutely than before because she was conscious that the young woman watched her in the mirror the entire time.
When she had finished, the young woman asked Arabella to sit. “And how do they please you?” she asked.