Chapters (81)
- Cover
- JONATHAN STRANGE & Mr NORRELL
- Dedication
- Preface
- Volume IMr Norrell
- 1The library at Hurtfew
- 2The Old Starre Inn
- 3The stones of York
- 4The Friends of English Magic
- 5Drawlight
- 6“Magic is not respectable, sir.”
- 7An opportunity unlikely to occur again
- 8A gentleman with thistle-down hair
- 9Lady Pole
- 10The difficulty of finding employment for a magician
- 11Brest
- 12The Spirit of English Magic urges Mr Norrell to the Aid of Britannia
- 13The magician of Threadneedle-street
- 14Heart-break Farm
- 15“How is Lady Pole?”
- 16Lost-hope
- 17The unaccountable appearance of twenty-five guineas
- 18Sir Walter consults gentlemen in several professions
- 19The Peep-O’Day-Boys
- 20The unlikely milliner
- 21The cards of Marseilles
- 22The Knight of Wands
- Volume IIJonathan Strange
- 23The Shadow House
- 24Another magician
- 25The education of a magician
- 26Orb, crown and sceptre
- 27The magician’s wife
- 28The Duke of Roxburghe’s library
- 29At the house of José Estoril
- 30The book of Robert Findhelm
- 31Seventeen dead Neapolitans
- 32The King
- 33Place the moon at my eyes
- 34On the edge of the desert
- 35The Nottinghamshire gentleman
- 36All the mirrors of the world
- 37The Cinque Dragownes
- 38From The Edinburgh Review
- 39The two magicians
- 40“Depend upon it; there is no such place.”
- 41Starecross
- 42Strange decides to write a book
- 43The curious adventure of Mr Hyde
- 44Arabella
- Volume IIIJohn Uskglass
- 45Prologue to The History and Practice of English Magic
- 46“The sky spoke to me …”
- 47“A black lad and a blue fella – that ought to mean summat.”
- 48The Engravings
- 49Wildness and madness
- 50The History and Practice of English Magic
- 51A family by the name of Greysteel
- 52The old lady of Cannaregio
- 53A little dead grey mouse
- 54A little box, the colour of heartache
- 55The second shall see his dearest possession in his enemy’s hand
- 56The Black Tower
- 57The Black Letters 1
- 58Henry Woodhope pays a visit
- 59Leucrocuta, the Wolf of the Evening
- 60Tempest and lies
- 61Tree speaks to Stone; Stone speaks to Water
- 62I came to them in a cry that broke the silence of a winter wood
- 63The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache
- 64Two versions of Lady Pole
- 65The ashes, the pearls, the counterpane and the kiss
- 66Jonathan Strange and Mr Norrell
- 67The hawthorn tree
- 68“Yes.”
- 69Strangites and Norrellites
- Acknowledgements
- Notes
- A Note on the Author
- By the Same Author
- Also Available by Susanna Clarke
“But Arabella does not care for seed-cake,” interrupted Strange, absent-mindedly picking up Belinda himself and beginning to read the first volume, “It is a thing she particularly dislikes.”
“A glass of madeira, then,” said Sir Walter. “You will take some madeira, I am sure. Stephen! … Stephen, fetch Mrs Strange a glass of madeira.”
In the eerie, silent fashion peculiar to high-trained London servants, a tall black servant appeared at Sir Walter’s elbow. Mr Strange seemed quite startled by his sudden arrival and stared hard at him for several moments, before he said to his wife, “You do not want madeira, do you? You do not want any thing.”
“No, Jonathan. I do not want any thing,” agreed his wife, laughing at their odd argument. “Thank you, Sir Walter, but I am perfectly content to sit here quietly and read.”
The black servant bowed and departed as silently as he had come, and Strange and Sir Walter went off to talk of the French fleet and the missing English ships.
But when she was left alone, Arabella found that she was not after all in a mood for reading. On looking round the room in search of amusement her eye was caught by a large painting. It was a landscape comprising woods and a ruined castle perched on top of a cliff. The trees were dark and the ruins and cliff were touched with gold by the light of a setting sun; the sky by contrast was full of light and glowed with pearly colour. A large portion of the foreground was occupied by a silvery pool in which a young woman appeared to be drowning; a second figure bent over her – whether man, woman, satyr or faun, it was impossible to determine and, though Arabella studied their postures carefully, she could not decide whether it was the intention of the second figure to save the young woman or murder her. When she had tired of looking at this painting Arabella wandered out into the passage to look at the pictures there but, as these were for the most part watercolour views of Brighton and Chelmsford, she found them very dull.
Sir Walter and Strange could be heard talking in another room.
“… extraordinary thing! Yet he is an excellent fellow in his way,” said Sir Walter’s voice.
“Oh! I know who you mean! He has a brother who is the organist at Bath Cathedral,” said Strange. “He has a black-and-white cat that walks about the Bath streets just ahead of him. Once, when I was in Milsom-street …”
A door stood open, through which Arabella could see a very elegant drawing-room with a great number of paintings that appeared to be more splendid and richly coloured than any she had yet seen. She went in.