Between the two Balbec settings, so different one from the other, there was the interval of several years in Paris, the long expanse of which was dotted with all the visits that Albertine had paid me. I saw her in the different years of my life occupying, in relation to myself, different positions which made me feel the beauty of the intervening spaces, that long lapse of time during which I had remained without seeing her and in the diaphanous depths of which the roseate figure that I saw before me was carved with mysterious shadows and in bold relief. This was due also to the superimposition not merely of the successive images which Albertine had been for me, but also of the great qualities of intelligence and heart, and of the defects of character, all alike unsuspected by me, which Albertine, in a germination, a multiplication of herself, a fleshy efflorescence in sombre colours, had added to a nature that formerly could scarcely have been said to exist, but was now difficult to plumb. For other people, even those of whom we have dreamed so much that they have come to seem no more than pictures, figures by Benozzo Gozzoli against a greenish background, of whom we were inclined to believe that they varied only according to the point of vantage from which we looked at them, their distance from us, the effect of light and shade, such people, while they change in relation to ourselves, change also in themselves, and there had been an enrichment, a solidification and an increase of volume in the figure once simply outlined against the sea.