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He took Dorothy’s and Daisy’s drinks first, and returned to the kitchen for Meadows’ and his own. He was taking one last swallow before rejoining the company, when Ellen came into the kitchen.
“Don’t you think you better slow down?” she said.
“I’m fine,” he said. “Don’t worry about me.”
“You’re not being exactly gracious.”
“I’m not? I thought I was being charming.”
“Hardly.”
He smiled at her and said, “Tough shit,” and as he spoke, he realized she was right: he had better slow down. He walked into the living room.
The children had gone upstairs. Dorothy Meadows sat on the couch next to Hooper and was chatting with him about his work at Woods Hole. Meadows, in the chair opposite the couch, listened quietly. Daisy Wicker was standing alone, on the other side of the room, by the fireplace, gazing about with a subdued smile on her face. Brody handed Meadows his drink and strolled over next to Daisy.
“You’re smiling,” he said.
“Am I? I didn’t notice.”
“Thinking of something funny?”
“No. I guess I was just interested. I’ve never been in a policeman’s house before.”
“What did you expect? Bars on the windows? A guard at the door?”
“No, nothing. I was just curious.”
“And what have you decided? It looks just like a normal person’s house, doesn’t it?”
“I guess so. Sort of.”
“What does that mean?”
“Nothing.”
“Oh.”
She took a sip of her drink and said, “Do you like being a policeman?”
Brody couldn’t tell whether or not there was hostility in the question. “Yes,” he said. “It’s a good job, and it has a purpose to it.”
“What’s the purpose?”
“What do you think?” he said, slightly irritated. “To uphold the law.”
“Don’t you feel alienated?”
“Why the hell should I feel alienated? Alienated from what?”
“From the people. I mean, the only thing that justifies your existence is telling people what not to do. Doesn’t that make you feel freaky?”
For a moment, Brody thought he was being put on, but the girl never smiled or smirked or shifted her eyes from his. “No, I don’t feel freaky,” he said. “I don’t see why I should feel any more freaky than you do, working at the whatchamacallit.”
“The Bibelot.”
“Yeah. What do you sell there anyway?”
“We sell people their past. It gives them comfort.”
“What do you mean, their past?”
“Antiques. They’re bought by people who hate their present and need the security of their past. Or if not theirs, someone else’s. Once they buy it, it becomes theirs. I bet that’s important to you, too.”
“What, the past?”
“No, security. Isn’t that supposed to be one of the heavy things about being a cop?”
Brody glanced across the room and noticed that Meadows’ glass was empty. “Excuse me,” he said. “I have to tend to the other guests.”
“Sure. Nice talking to you.”
Brody took Meadows’ glass and his own into the kitchen. Ellen was filling a bowl with tortilla chips.