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Contents (29)
  1. Contents
  2. INTRODUCTION
  3. PART ONE
  4. 1
  5. 2
  6. 3
  7. 4
  8. 5
  9. PART TWO
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. PART THREE
  16. 11
  17. 12
  18. 13
  19. A NOTE OF SORROW …
  20. … AND A VOTE OF THANKS
  21. 14
  22. eBook Bonus Content
  23. Letter from Peter Benchley to David Brown, Producer of the Film Version of Jaws
  24. “Great White: Deep Trouble”
  25. “Gift From the Sea”
  26. ABOUT THE AUTHOR

As she pondered what Vaughan had said, she began to recognize the richness of her life: a relationship with Brody more rewarding than any Larry Vaughan would ever experience; an amalgam of minor trials and tiny triumphs that, together, added up to something akin to joy. And as her recognition grew, so did a regret that it had taken her so long to see the waste of time and emotion in trying to cling to her past. Suddenly she felt fear—fear that she was growing up too late, that something might happen to Brody before she could savor her awareness. She looked at her watch: 6:20. He should have been home by now. Something has happened to him, she thought. Oh please, God, not him.

She heard the door open downstairs. She jumped off the bed, ran into the hall and down the stairs. She wrapped her arms around Brody’s neck and kissed him hard on the mouth.

“My God,” he said when she let him go. “That’s quite a welcome.”

13

“You’re not putting that thing on my boat,” said Quint.

They stood on the dock in the brightening light. The sun had cleared the horizon, but it lay behind a low bank of clouds that touched the eastern sea. A gentle wind blew from the south. The boat was ready to go. Barrels lined the bow; rods stood straight in their holders, leaders snapped into eyelets on the reels. The engine chugged quietly, sputtering bubbles as tiny waves washed against the exhaust pipe, coughing diesel fumes that rose and were carried away by the breeze.

At the end of the dock a man got into a pickup truck and started the engine, and the truck began to move slowly off down the dirt road. The words stenciled on the door of the truck read: Woods Hole Oceanographic Institute.

Quint stood with his back to the boat, facing Brody and Hooper, who stood on each side of an aluminum cage. The cage was slightly over six feet tall and six feet wide and four feet deep. Inside, there was a control panel: atop were two cylindrical tanks. On the floor of the cage were a scuba tank, a regulator, a face mask, and a wet suit.

“Why not?” said Hooper. “It doesn’t weigh much, and I can lash it down out of the way.”

“Take up too much room.”

“That’s what I said,” said Brody. “But he wouldn’t listen.”

“What the hell is it anyway?” said Quint.

“It’s a shark cage,” said Hooper. “Divers use them to protect themselves when they’re swimming in the open ocean. I had it sent down from Woods Hole—in that truck that just left.”

“And what do you plan to do with it?”

“When we find the fish, or when the fish finds us, I want to go down in the cage and take some pictures. No one’s ever been able to photograph a fish this big before.”

“Not a chance,” said Quint. “Not on my boat.”