Back Jaws Save as PDF
Contents ( 29)
  1. Contents
  2. INTRODUCTION
  3. PART ONE
  4. 1
  5. 2
  6. 3
  7. 4
  8. 5
  9. PART TWO
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. PART THREE
  16. 11
  17. 12
  18. 13
  19. A NOTE OF SORROW …
  20. … AND A VOTE OF THANKS
  21. 14
  22. eBook Bonus Content
  23. Letter from Peter Benchley to David Brown, Producer of the Film Version of Jaws
  24. “Great White: Deep Trouble”
  25. “Gift From the Sea”
  26. ABOUT THE AUTHOR

Hendricks was convinced that as soon as he could get sprung from this God-forsaken midnight-to-eight shift, he would start to enjoy his work. For the time being, though, it was a drag. He knew perfectly well why he had the late shift. Chief Brody liked to break in his young men slowly, letting them develop the fundamentals of police work—good sense, sound judgment, tolerance, and politeness—at a time of day when they wouldn’t be overtaxed.

The business shift was 8:00 A.M. to 4:00 P.M., and it called for experience and diplomacy. Six men worked that shift. One handled the summertime traffic at the intersection of Main and Water streets. Two patrolled in squad cars. One manned the phones at the station house. One handled the clerical work. And the chief handled the public—the ladies who complained that they were unable to sleep because of the din coming from the Randy Bear or Saxon’s, the town’s two gin mills; the homeowners who complained that bums were littering the beaches or disturbing the peace; and the vacationing bankers and brokers and lawyers who stopped in to discuss their various plans for keeping Amity a pristine and exclusive summer colony.

Four to midnight was the trouble shift, when the young studs from the Hamptons would flock to the Randy Bear and get involved in a fight or simply get so drunk that they became a menace on the roads; when, very rarely, a couple of predators from Queens would lurk in the dark side streets and mug passersby; and when, about twice a month in the summer, enough evidence having accumulated, the police would feel obliged to stage a pot bust at one of the huge waterfront homes. There were six men on four to midnight, the six largest men on the force, all between thirty and fifty years old.

Midnight to eight was usually quiet. For nine months of the year, peace was virtually guaranteed. The biggest event of the previous winter had been an electrical storm that had set off all the alarms linking the police station to forty-eight of Amity’s biggest and most expensive homes. Normally during the summer, the midnight-to-eight shift was manned by three officers. One, however, a young fellow named Dick Angelo, was now taking his two-week leave before the season began to swing. The other was a thirty-year veteran named Henry Kimble, who had chosen the midnight-to-eight shift because it permitted him to catch up on his sleep—he held a daytime job as a bartender at Saxon’s. Hendricks tried to raise Kimble on the radio—to get him to take a walk along the beach by Old Mill Road—but he knew the attempt was hopeless. As usual, Kimble was sound asleep in a squad car parked behind the Amity Pharmacy. And so Hendricks picked up the phone and dialed Chief Brody’s home number.

Brody was asleep, in that fitful state before waking when dreams rapidly change and there are moments of bleary semiconsciousness. The first ring of the phone was assimilated into his dream—a vision that he was back in high school groping a girl on a stairwell. The second ring snapped the vision. He rolled over and picked up the receiver.