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Chapters (26)
  1. Feature
  2. PREFACE
  3. VENICE
  4. THE GRAND CANAL
  5. VENICE: AN EARLY IMPRESSION
  6. TWO OLD HOUSES AND THREE YOUNG WOMEN
  7. CASA ALVISI
  8. FROM CHAMBÉRY TO MILAN
  9. THE OLD SAINT-GOTHARD LEAVES FROM A NOTE-BOOK
  10. ITALY REVISITED
  11. A ROMAN HOLIDAY
  12. ROMAN RIDES
  13. ROMAN NEIGHBOURHOODS
  14. THE AFTER-SEASON IN ROME
  15. FROM A ROMAN NOTE-BOOK
  16. A FEW OTHER ROMAN NEIGHBOURHOODS
  17. A CHAIN OF CITIES
  18. SIENA EARLY AND LATE
  19. THE AUTUMN IN FLORENCE
  20. FLORENTINE NOTES
  21. TUSCAN CITIES
  22. OTHER TUSCAN CITIES
  23. RAVENNA
  24. THE SAINT'S AFTERNOON AND OTHERS
  25. You are reading a Deluxe Edition:
  26. Copyright

The impression was largely confirmed and enriched on the following day; but it was obliged at an early stage of my visit to give precedence to another - the lively perception, namely, of the thinness of my saturation with Gibbon and the other sources of legend. At Ravenna the waiter at the café and the coachman who drives you to the Pine-Forest allude to Galla Placidia and Justinian as to any attractive topic of the hour; wherever you turn you encounter some fond appeal to your historic presence of mind. For myself I could only attune my spirit vaguely to so ponderous a challenge, could only feel I was breathing an air of prodigious records and relics. I conned my guide-book and looked up at the great mosaics, and then fumbled at poor Murray again for some intenser light on the court of Justinian; but I can imagine that to a visitor more intimate with the originals of the various great almond-eyed mosaic portraits in the vaults of the churches these extremely curious works of art may have a really formidable interest. I found in the place at large, by daylight, the look of a vast straggling depopulated village. The streets with hardly an exception are grass-grown, and though I walked about all day I failed to encounter a single wheeled vehicle. I remember no shop but the little establishment of an urbane photographer, whose views of the Pineta, the great legendary pine-forest just without the town, gave me an irresistible desire to seek that refuge. There was no architecture to speak of; and though there are a great many large domiciles with aristocratic names they stand cracking and baking in the sun in no very comfortable fashion. The houses have for the most part an all but rustic rudeness; they are low and featureless and shabby, as well as interspersed with high garden walls over which the long arms of tangled vines hang motionless into the stagnant streets. Here and there in all this dreariness, in some particularly silent and grassy corner, rises an old brick church with a front more or less spoiled, by cheap modernisation, and a strange cylindrical campanile pierced with small arched windows and extremely suggestive of the fifth century. These churches constitute the palpable interest of Ravenna, and their own principal interest, after thirteen centuries of well-intentioned spoliation, resides in their unequalled collection of early Christian mosaics. It is an interest simple, as who should say, almost to harshness, and leads one's attention along a straight and narrow way. There are older churches in Rome, and churches which, looked at as museums, are more variously and richly informing; but in Rome you stumble at every step on some curious pagan memorial, often beautiful enough to make your thoughts wander far from the strange stiff primitive Christian forms.