THE AFTER-SEASON IN ROME

One may at the blest end of May say without injustice to anybody that the state of mind of many a forestiero in Rome is one of intense impatience for the moment when all other forestieri shall have taken themselves off. One may confess to this state of mind and be no misanthrope. The place has passed so completely for the winter months into the hands of the barbarians that that estimable character the passionate pilgrim finds it constantly harder to keep his passion clear. He has a rueful sense of impressions perverted and adulterated; the all-venerable visage disconcerts us by a vain eagerness to see itself mirrored in English, American, German eyes. It isn't simply that you are never first or never alone at the classic or historic spots where you have dreamt of persuading the shy genius loci into confidential utterance; it isn't simply that St. Peter's, the Vatican, the Palatine, are for ever ringing with the false note of the languages without style: it is the general oppressive feeling that the city of the soul has become for the time a monstrous mixture of watering-place and curiosity- shop and that its most ardent life is that of the tourists who haggle over false intaglios and yawn through palaces and temples. But you are told of a happy time when these abuses begin to pass away, when Rome becomes Rome again and you may have her all to yourself. "You may like her more or less now," I was assured at the height of the season; "but you must wait till the month of May, when she'll give you all she has, to love her. Then the foreigners, or the excess of them, are gone; the galleries and ruins are empty, and the place," said my informant, who was a happy Frenchman of the Académie de France, "renait a ellememe." Indeed I was haunted all winter by an irresistible prevision of what Rome must be in declared spring. Certain charming places seemed to murmur: "Ah, this is nothing! Come back at the right weeks and see the sky above us almost black with its excess of blue, and the new grass already deep, but still vivid, and the white roses tumble in odorous spray and the warm radiant air distil gold for the smelting-pot that the genius loci then dips his brush into before making play with it, in his inimitable way, for the general effect of complexion."