It did everything, on the occasion of that pilgrimage, that it was expected to do, presenting itself more or less in the guise of some rare silvery shell, washed up by the sea of time, cracked and battered and dishonoured, with its mutilated marks of adjustment to the extinct type of creature it once harboured figuring against the sky as maimed gesticulating arms flourished in protest against fate. If the centuries, however, had pretty well cleaned out, vulgarly speaking, this amazing little fortress-town, it wasn't that a mere aching void was bequeathed us, I recognise as I consult a somewhat faded impression; the whole scene and occasion come back to me as the exhibition, on the contrary, of a stage rather crowded and agitated, of no small quantity of sound and fury, of concussions, discussions, vociferations, hurryings to and fro, that could scarce have reached a higher pitch in the old days of the siege and the sortie. San Gimignano affected me, to a certainty, as not dead, I mean, but as inspired with that strange and slightly sinister new life that is now, in case after case, up and down the peninsula, and even in presence of the dryest and most scattered bones, producing the miracle of resurrection. The effect is often - and I find it strikingly involved in this particular reminiscence - that of the buried hero himself positively waking up to show you his bones for a fee, and almost capering about in his appeal to your attention. What has become of the soul of San Gimignano who shall say? - but, of a genial modern Sunday, it is as if the heroic skeleton, risen from the dust, were in high activity, officious for your entertainment and your detention, clattering and changing plates at the informal friendly inn, personally conducting you to a sight of the admirable Santa Fina of Ghirlandaio, as I believe is supposed, in a dim chapel of the Collegiata church; the poor young saint, on her low bed, in a state of ecstatic vision (the angelic apparition is given), acconpanied by a few figures and accessories of the most beautiful and touching truth. This image is what has most vividly remained with me, of the day I thus so ineffectually recover; the precious ill-set gem or domestic treasure of Santa Fina, and then the wonderful drive, at eventide, back to Siena: the progress through the darkening land that was like a dense fragrant garden, all fireflies and warm emanations and dimly-seen motionless festoons, extravagant vines and elegant branches intertwisted for miles, with couples and companies of young countryfolk almost as fondly united and raising their voices to the night as if superfluously to sing out at you that they were happy, and above all were Tuscan. On reflection, and to be just, I connect the slightly incongruous loudness that hung about me under the Beautiful Towers with the really too coarse competition for my favour among the young vetturini who lay in wait for my approach, and with an eye to my subsequent departure, on my quitting, at some unremembered spot, the morning train from Siena, from which point there was then still a drive. That onset was of a fine mediaeval violence, but the subsiding echoes of it alone must have afterwards borne me company; mingled, at the worst, with certain reverberations of the animated rather than concentrated presence of sundry young sketchers and copyists of my own nationality, which element in the picture conveyed beyond anything else how thoroughly it was all to sit again henceforth in the eye of day. My final vision perhaps was of a sacred reliquary not so much rudely as familiarly and "humorously" torn open. The note had, with all its references, its own interest; but I never went again.