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Chapters (26)
  1. Feature
  2. PREFACE
  3. VENICE
  4. THE GRAND CANAL
  5. VENICE: AN EARLY IMPRESSION
  6. TWO OLD HOUSES AND THREE YOUNG WOMEN
  7. CASA ALVISI
  8. FROM CHAMBÉRY TO MILAN
  9. THE OLD SAINT-GOTHARD LEAVES FROM A NOTE-BOOK
  10. ITALY REVISITED
  11. A ROMAN HOLIDAY
  12. ROMAN RIDES
  13. ROMAN NEIGHBOURHOODS
  14. THE AFTER-SEASON IN ROME
  15. FROM A ROMAN NOTE-BOOK
  16. A FEW OTHER ROMAN NEIGHBOURHOODS
  17. A CHAIN OF CITIES
  18. SIENA EARLY AND LATE
  19. THE AUTUMN IN FLORENCE
  20. FLORENTINE NOTES
  21. TUSCAN CITIES
  22. OTHER TUSCAN CITIES
  23. RAVENNA
  24. THE SAINT'S AFTERNOON AND OTHERS
  25. You are reading a Deluxe Edition:
  26. Copyright

Then our leisurely friend must bestow on Perugino's frescoes in the Exchange, and on his pictures in the University, all the placid contemplation they deserve. He must go to the theatre every evening, in an orchestra-chair at twenty-two soldi, and enjoy the curious didacticism of "Amore senza Stima," "Severita e Debolezza," "La Societa Equivoca," and other popular specimens of contemporaneous Italian comedy - unless indeed the last-named be not the edifying title applied, for peninsular use, to "Le Demi- Monde" of the younger Dumas. I shall be very much surprised if, at the end of a week of this varied entertainment, he hasn't learnt how to live, not exactly in, but with, Perugia. His strolls will abound in small accidents and mercies of vision, but of which a dozen pencil-strokes would be a better memento than this poor word-sketching. From the hill on which the town is planted radiate a dozen ravines, down whose sides the houses slide and scramble with an alarming indifference to the cohesion of their little rugged blocks of flinty red stone. You ramble really nowhither without emerging on some small court or terrace that throws your view across a gulf of tangled gardens or vineyards and over to a cluster of serried black dwellings which have to hollow in their backs to keep their balance on the opposite ledge. On archways and street-staircases and dark alleys that bore through a density of massive basements, and curve and climb and plunge as they go, all to the truest mediaeval tune, you may feast your fill. These are the local, the architectural, the compositional commonplaces.. Some of the little streets in out-of-the-way corners are so rugged and brown and silent that you may imagine them passages long since hewn by the pick-axe in a deserted stone-quarry. The battered black houses, of the colour of buried things - things buried, that is, in accumulations of time, closer packed, even as such are, than spadefuls of earth - resemble exposed sections of natural rock; none the less so when, beyond some narrow gap, you catch the blue and silver of the sublime circle of landscape.