Chapters (26)
- Feature
- PREFACE
- VENICE
- THE GRAND CANAL
- VENICE: AN EARLY IMPRESSION
- TWO OLD HOUSES AND THREE YOUNG WOMEN
- CASA ALVISI
- FROM CHAMBÉRY TO MILAN
- THE OLD SAINT-GOTHARD LEAVES FROM A NOTE-BOOK
- ITALY REVISITED
- A ROMAN HOLIDAY
- ROMAN RIDES
- ROMAN NEIGHBOURHOODS
- THE AFTER-SEASON IN ROME
- FROM A ROMAN NOTE-BOOK
- A FEW OTHER ROMAN NEIGHBOURHOODS
- A CHAIN OF CITIES
- SIENA EARLY AND LATE
- THE AUTUMN IN FLORENCE
- FLORENTINE NOTES
- TUSCAN CITIES
- OTHER TUSCAN CITIES
- RAVENNA
- THE SAINT'S AFTERNOON AND OTHERS
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- Copyright
I suppose enjoyment would have a simple zest which it often lacks if we always did things at the moment we want to, for it's mostly when we can't that we're thoroughly sure we would, and we can answer too little for moods in the future conditional. Winter at least seemed to me to have put something into these seats of antiquity that the May sun had more or less melted away - a desirable strength of tone, a depth upon depth of queerness and quaintness. Assisi had been in the January twilight, after my mere snatch at Narni, a vignette out of some brown old missal. But you'll have to be a fearless explorer now to find of a fine spring day any such cluster of curious objects as doesn't seem made to match before anything else Mr. Baedeker's polyglot estimate of its chief recommendations. This great man was at Assisi in force, and a brand-new inn for his accommodation has just been opened cheek by jowl with the church of St. Francis. I don't know that even the dire discomfort of this harbourage makes it seem less impertinent; but I confess I sought its protection, and the great view seemed hardly less beautiful from my window than from the gallery of the convent. This view embraces the whole wide reach of Umbria, which becomes as twilight deepens a purple counterfeit of the misty sea. The visitor's first errand is with the church; and it's fair furthermore to admit that when he has crossed that threshold the position and quality of his hotel cease for the time to be matters of moment. This two-fold temple of St. Francis is one of the very sacred places of Italy, and it would be hard to breathe anywhere an air more heavy with holiness. Such seems especially the case if you happen thus to have come from Rome, where everything ecclesiastical is, in aspect, so very much of this world - so florid, so elegant, so full of accommodations and excrescences. The mere site here makes for authority, and they were brave builders who laid the foundation-stones. The thing rises straight from a steep mountain-side and plunges forward on its great substructure of arches even as a crowned headland may frown over the main. Before it stretches a long, grassy piazza, at the end of which you look up a small grey street, to see it first climb a little way the rest of the hill and then pause and leave a broad green slope, crested, high in the air, with a ruined castle. When I say before it I mean before the upper church; for by way of doing something supremely handsome and impressive the sturdy architects of the thirteenth century piled temple upon temple and bequeathed a double version of their idea. One may imagine them to have intended perhaps an architectural image of the relation between heart and head. Entering the lower church at the bottom of the great flight of steps which leads from the upper door, you seem to push at least into the very heart of Catholicism.