Back Italian Hours
Chapters (26)
  1. Feature
  2. PREFACE
  3. VENICE
  4. THE GRAND CANAL
  5. VENICE: AN EARLY IMPRESSION
  6. TWO OLD HOUSES AND THREE YOUNG WOMEN
  7. CASA ALVISI
  8. FROM CHAMBÉRY TO MILAN
  9. THE OLD SAINT-GOTHARD LEAVES FROM A NOTE-BOOK
  10. ITALY REVISITED
  11. A ROMAN HOLIDAY
  12. ROMAN RIDES
  13. ROMAN NEIGHBOURHOODS
  14. THE AFTER-SEASON IN ROME
  15. FROM A ROMAN NOTE-BOOK
  16. A FEW OTHER ROMAN NEIGHBOURHOODS
  17. A CHAIN OF CITIES
  18. SIENA EARLY AND LATE
  19. THE AUTUMN IN FLORENCE
  20. FLORENTINE NOTES
  21. TUSCAN CITIES
  22. OTHER TUSCAN CITIES
  23. RAVENNA
  24. THE SAINT'S AFTERNOON AND OTHERS
  25. You are reading a Deluxe Edition:
  26. Copyright

It is a pleasure that doubles one's horizon, and one can scarcely say whether it enlarges or limits one's impression of the city proper. It certainly makes St. Peter's seem a trifle smaller and blunts the edge of one's curiosity in the Forum. It must be the effect of the experience, at all extended, that when you think of Rome afterwards you will think still respectfully and regretfully enough of the Vatican and the Pincio, the streets and the picture-making street life; but will even more wonder, with an irrepressible contraction of the heart, when again you shall feel yourself bounding over the flower-smothered turf, or pass from one framed picture to another beside the open arches of the crumbling aqueducts. You look back at the City so often from some grassy hill-top - hugely compact within its walls, with St. Peter's overtopping all things and yet seeming small, and the vast girdle of marsh and meadow receding on all sides to the mountains and the sea - that you come to remember it at last as hardly more than a respectable parenthesis in a great sweep of generalisation. Within the walls, on the other hand, you think of your intended ride as the most romantic of all your possibilities; of the Campagna generally as an illimitable experience. One's rides certainly give Rome an inordinate scope for the reflective - by which I suppose I mean after all the aesthetic and the "esoteric" - life. To dwell in a city which, much as you grumble at it, is after all very fairly a modern city; with crowds and shops and theatres and cafes and balls and receptions and dinner-parties, and all the modern confusion of social pleasures and pains; to have at your door the good and evil of it all; and yet to be able in half an hour to gallop away and leave it a hundred miles, a hundred years, behind, and to look at the tufted broom glowing on a lonely tower-top in the still blue air, and the pale pink asphodels trembling none the less for the stillness, and the shaggy-legged shepherds leaning on their sticks in motionless brotherhood with the heaps of ruin, and the scrambling goats and staggering little kids treading out wild desert smells from the top of hollow-sounding mounds; and then to come back through one of the great gates and a couple of hours later find yourself in the "world," dressed, introduced, entertained, inquiring, talking about "Middlemarch" to a young English lady or listening to Neapolitan songs from a gentleman in a very low-cut shirt - all this is to lead in a manner a double life and to gather from the hurrying hours more impressions than a mind of modest capacity quite knows how to dispose of.