Back Italian Hours
Chapters (26)
  1. Feature
  2. PREFACE
  3. VENICE
  4. THE GRAND CANAL
  5. VENICE: AN EARLY IMPRESSION
  6. TWO OLD HOUSES AND THREE YOUNG WOMEN
  7. CASA ALVISI
  8. FROM CHAMBÉRY TO MILAN
  9. THE OLD SAINT-GOTHARD LEAVES FROM A NOTE-BOOK
  10. ITALY REVISITED
  11. A ROMAN HOLIDAY
  12. ROMAN RIDES
  13. ROMAN NEIGHBOURHOODS
  14. THE AFTER-SEASON IN ROME
  15. FROM A ROMAN NOTE-BOOK
  16. A FEW OTHER ROMAN NEIGHBOURHOODS
  17. A CHAIN OF CITIES
  18. SIENA EARLY AND LATE
  19. THE AUTUMN IN FLORENCE
  20. FLORENTINE NOTES
  21. TUSCAN CITIES
  22. OTHER TUSCAN CITIES
  23. RAVENNA
  24. THE SAINT'S AFTERNOON AND OTHERS
  25. You are reading a Deluxe Edition:
  26. Copyright

It is certainly sweet to be merry at the right moment; but the right moment hardly seems to me the ten days of the Roman Carnival. It was my rather cynical suspicion perhaps that they wouldn't keep to my imagination the brilliant promise of legend; but I have been justified by the event and have been decidedly less conscious of the festal influences of the season than of the inalienable gravity of the place. There was a time when the Carnival was a serious matter - that is a heartily joyous one; but, thanks to the seven-league boots the kingdom of Italy has lately donned for the march of progress in quite other directions, the fashion of public revelry has fallen woefully out of step. The state of mind and manners under which the Carnival was kept in generous good faith I doubt if an American can exactly conceive: he can only say to himself that for a month in the year there must have been things - things considerably of humiliation - it was comfortable to forget. But now that Italy is made the Carnival is unmade; and we are not especially tempted to envy the attitude of a population who have lost their relish for play and not yet acquired to any striking extent an enthusiasm for work. The spectacle on the Corso has seemed to me, on the whole, an illustration of that great breach with the past of which Catholic Christendom felt the somewhat muffled shock in September, 1870. A traveller acquainted with the fully papal Rome, coming back any time during the past winter, must have immediately noticed that something momentous had happened - something hostile to the elements of picture and colour and "style." My first warning was that ten minutes after my arrival I found myself face to face with a newspaper stand. The impossibility in the other days of having anything in the journalistic line but the Osservatore Romano and the Voce della Verità used to seem to me much connected with the extraordinary leisure of thought and stillness of mind to which the place admitted you. But now the slender piping of the Voice of Truth is stifled by the raucous note of eventide vendors of the Capitale<<i>i>, the Libertà<</i>i> and the Fanfulla; and Rome reading unexpurgated news is another Rome indeed. For every subscriber to the Libertà there may well be an antique masker and reveller less. As striking a sign of the new régime is the extraordinary increase of population. The Corso was always a well-filled street, but now it's a perpetual crush. I never cease to wonder where the new-comers are lodged, and how such spotless flowers of fashion as the gentlemen who stare at the carriages can bloom in the atmosphere of those camere mobiliate of which I have had glimpses. This, however, is their own question, and bravely enough they meet it. They proclaimed somehow, to the first freshness of my wonder, as I say, that by force of numbers Rome had been secularised. An Italian dandy is a figure visually to reckon with, but these goodly throngs of them scarce offered compensation for the absent monsignori, treading the streets in their purple stockings and followed by the solemn servants who returned on their behalf the bows of the meaner sort; for the mourning gear of the cardinals' coaches that formerly glittered with scarlet and swung with the weight of the footmen clinging behind; for the certainty that you'll not, by the best of traveller's luck, meet the Pope sitting deep in the shadow of his great chariot with uplifted fingers like some inaccessible idol in his shrine. You may meet the King indeed, who is as ugly, as imposingly ugly, as some idols, though not so inaccessible. The other day as I passed the Quirinal he drove up in a low carriage with a single attendant; and a group of men and women who had been waiting near the gate rushed at him with a number of folded papers. The carriage slackened pace and he pocketed their offerings with a business- like air - hat of a good-natured man accepting handbills at a street-corner. Here was a monarch at his palace gate receiving petitions from his subjects - being adjured to right their wrongs. The scene ought to have thrilled me, but somehow it had no more intensity than a woodcut in an illustrated newspaper. Homely I should call it at most; admirably so, certainly, for there were lately few sovereigns standing, I believe, with whom their people enjoyed these filial hand-to-hand relations. The King this year, however, has had as little to do with the Carnival as the Pope, and the innkeepers and Americans have marked it for their own.