Back Iron Council
Chapters (48)
  1. Prologue
  2. Part One: Trappings
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Part Two: Returns
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Part Three: Wine Land
  14. Chapter Ten
  15. Chapter Eleven
  16. Chapter Twelve
  17. Chapter Thirteen
  18. Anamnesis: The Perpetual Train
  19. Part Four: The Hainting
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Part Five: Retread
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Part Six: The Causus Race
  28. Chapter Twenty
  29. Chapter Twenty-One
  30. Chapter Twenty-Two
  31. Part Seven: Stain
  32. Chapter Twenty-Three
  33. Chapter Twenty-Four
  34. Part Eight: The Remarking
  35. Chapter Twenty-Five
  36. Chapter Twenty-Six
  37. Chapter Twenty-Seven
  38. Chapter Twenty-Eight
  39. Chapter Twenty-Nine
  40. Chapter Thirty
  41. Part Nine: Sound and Light
  42. Chapter Thirty-One
  43. Chapter Thirty-Two
  44. Chapter Thirty-Three
  45. Part Ten: The Monument
  46. Chapter Thirty-Four
  47. Chapter Thirty-Five
  48. RUNAGATE RAMPANT. LUNUARY 1806.

He walks the city at the behest of the grub, the oddity in him that will not be still. He is tugged by it; he feels it seeing through him. It’s a strong goodness in me, he thinks without arrogance, but it’s an intruder. I don’t feel it as my own. Does that make me good? Does that make me better? Does it make me wicked?

Judah thinks of Ann-Hari and reads that progress at tracks’-end is picking up again. There are questions in Parliament. The TRT and Weather Wrightby are censured for strange dealings. Workers have died in some accident, a gradient has been levelled in a way the inspectors cannot explain, and the heat-ripples and the lifeless zone for yards to either side raise questions the TRT will not answer. No one will say sacrifice, no one will say dæmon, but there is a growing sense that Weather Wrightby is a visionary of money and engineering who will not let geography or climate or politics block him. His plans are embedded in his company’s name, and they are bigger by far than this road.

Judah, Judah, Judah. He thinks his name. Something will happen.

Products are created or remembered from the Full Years. In the arts there is a languid flux. New Crobuzon is full of building, its docks with ships. Shops carry novel commodities. Beside the poster-kiosks booths appear like wildflowers, in a spate of marketing, die-stamped signs of a man holding his hand to his mouth and shouting.

-What are these? Judah asks and enters. There is a chair, an engine, a range of lettered and numbered buttons, a tube and earpiece. He reads instructions, puts his coin into the slot. There is a list of titles.

THE MAYOR’S NEW YEAR SPEECH. HE PITY IT’S A DITTY TREBUSCHAND SYMPHONETTE

And others. He summons a music-hall song, "Rather the Poorhouse," puts his ear to the trumpet and listens quite rapt to something that has been held back snapping into place, a potential energy unlocked, the unwrapping of sound with a thudding; and then he starts as a noise emerges and it is the song, some unknown chorus girl, the nuances of her voice imprisoned behind crackling but unmistakably a voice and unquestionably singing. Judah can hear all the words.

-And if it means the poorhouse dear that’s right the poor house do you hear that’s what I’ll do to stick with you to keep you near my deary dear. Judah can hear all of them trapped.

It is wax that makes sound physical. He is absolutely fevered by this. The wax can make sound wait and recur.

A new technology, the taming of time. They are using it for the endless, endless recursion of street songs. Judah wants it for another reason. He looks at the notes he made in the swamp. He is all breathless energy, and he feels New Crobuzon ebbing from him.