Back Into the Storm Save as PDF
Chapters (52)
  1. Cover
  2. Book Description
  3. Books By Rachel Grant
  4. Dedication
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. Chapter Nine
  14. Chapter Ten
  15. Chapter Eleven
  16. Chapter Twelve
  17. Chapter Thirteen
  18. Chapter Fourteen
  19. Chapter Fifteen
  20. Chapter Sixteen
  21. Chapter Seventeen
  22. Chapter Eighteen
  23. Chapter Nineteen
  24. Chapter Twenty
  25. Chapter Twenty-One
  26. Chapter Twenty-Two
  27. Chapter Twenty-Three
  28. Chapter Twenty-Four
  29. Chapter Twenty-Five
  30. Chapter Twenty-Six
  31. Chapter Twenty-Seven
  32. Chapter Twenty-Eight
  33. Chapter Twenty-Nine
  34. Chapter Thirty
  35. Chapter Thirty-One
  36. Chapter Thirty-Two
  37. Chapter Thirty-Three
  38. Chapter Thirty-Four
  39. Chapter Thirty-Five
  40. Chapter Thirty-Six
  41. Chapter Thirty-Seven
  42. Chapter Thirty-Eight
  43. Chapter Thirty-Nine
  44. Chapter Forty
  45. Chapter Forty-One
  46. Chapter Forty-Two
  47. Chapter Forty-Three
  48. Chapter Forty-Four
  49. Epilogue
  50. Fiona Carver Series
  51. Flashpoint Series
  52. About the Author

“Improvised munitions. Standard in the handbook that was produced during the Vietnam War. You can use match heads as the propellant and shoot projectiles like nails thirty or forty yards with a fair amount of accuracy. That explains Jeb’s stockpile of matchsticks. Could have been a hobby of his.”

There were three homemade guns in the canister, along with a bunch of nails and several boxes of matches.

“It would take a while to reload.”

Xavier nodded. “Forever. But better than nothing if you’re sneaking up on an armed merc.” He returned his attention to the paper. “What else does it say?”

She studied the drawings, words, and numbers, reminding herself George was an artist. None of the markings on the page was done in error.

“Those are lightbulbs.” She pointed to the three balloon-shaped drawings by Harriet’s name. “He’s colored them in with black dots, like a comic book drawing. I presume that indicates black powder? And this one on the end…it’s shattering, and inside is a shape that looks like a comic book kapow! bubble. He couldn’t know we’ve seen Jeb’s workbench, so I think he’s telling us the lightbulbs are bombs.”

“He’d probably guess that once I saw the match guns in the canister, I’d recognize other improvised explosives.” He touched Harriet’s name on the page. “So…does this mean he’s planted explosive lights in the second-floor Jamison Library?”

“How could he? He’d need to have gotten inside to do that, before he left this message for me.”

“Or he has a plan for getting inside. And he left you this note to tell you what he’s up to. We just need to figure out how he plans to do it.”

“He has special access because he uses the woodshop year-round and has wintered here for the last three years. He has the full employee key chain. Hell, he probably has keys I don’t even have.”

“His keys wouldn’t work because we substituted all the exterior doors.”

“All the doors? Even the third-floor doors and windows?”

“The balcony doors don’t have mechanical locks with keys. It’s all pegs and bolts that can only be locked and unlocked from the inside. Same with the windows.”

“Not the attic window on the end, and not the interior door that leads to it.”

“What do you mean?”

“On the third floor, there’s a half door at the end of the hall. It goes to the old fire escape.”

“That door goes to the eave crawl space. No outside access.”