Back Infinite Country Save as PDF
Contents ( 36)
  1. ONE
  2. TWO
  3. THREE
  4. FOUR
  5. FIVE
  6. SIX
  7. SEVEN
  8. EIGHT
  9. NINE
  10. TEN
  11. ELEVEN
  12. TWELVE
  13. THIRTEEN
  14. FOURTEEN
  15. FIFTEEN
  16. SIXTEEN
  17. SEVENTEEN
  18. EIGHTEEN
  19. NINETEEN
  20. TWENTY
  21. TWENTY-ONE
  22. TWENTY-TWO
  23. TWENTY-THREE
  24. TWENTY-FOUR
  25. TWENTY-FIVE
  26. TWENTY-SIX
  27. TWENTY-SEVEN
  28. TWENTY-EIGHT
  29. TWENTY-NINE
  30. THIRTY
  31. ACKNOWLEDGMENTS
  32. Introduction
  33. Topics & Questions for Discussion
  34. Enhance Your Book Club
  35. A Conversation with Patricia Engel
  36. ABOUT THE AUTHOR

Karina and Nando treat him like another sibling since he doesn’t have any of his own. No friends either. He likes when Nando walks with him around the yard or sits in the grass, sketchpad in hand, and shows him how to draw flowers and birds. With Karina, he likes to observe the fish and turtles in the pond, listening to her give each a name and imagine a family story in which all species are kin.

Sundays are family days, but sometimes Elena’s employers call on the intercom, asking for help with their son, frustrated the books they’ve read and experts they’ve consulted provide no code with which to decipher the enigma of their son, his rages that only subside in Elena’s presence. Once, Señora Tracy told Elena she wonders if the universe gave her a son like Lance because her husband was married to another woman when she met him. She asked Elena if she thought life collected debts as it went along. She thought of her son as a half-bloomed flower and tried fertility treatments for many years, like her husband wanted, as if her body were a catalog and they were placing an order for a new, improved child. Sometimes Tracy weeps for hours in her room, and other days she asks Elena to take photos of her cooking or posed on the sofa reading, and then she posts these photos on the internet for strangers to admire. Elena hears her employers tell people that Elena loves Lance as if he were her own son. It’s true. She does love the boy. But her love for her own children is different, marrowed beyond bloodlines, picked from their terrain, dusted off their mountains. In their dark eyes and amber skin she sees her cloud-cast city; her ancestors, her mother, everything her family has ever been and ever will be.

Elena sent Talia back to live with Perla with the idea that she would raise the baby for a little while until Elena could send for her return. When you leave one country for another, nobody tells you years will bleed together like rain on newsprint. One year becomes five and five years become ten. Ten years become fifteen.

She never thought that when she left on the plane with Mauro it would be the last time she saw her mother in the flesh.

When Perla started forgetting her words, Mauro asked if he could take her to a doctor. But Perla thought every ailment could be solved with polvos from a curandero or pills from a creative pharmacist. One saw a doctor only when giving birth or near death. Mauro found a doctor who agreed to come to the house. Perla protested through the examination, but when the doctor asked her to name her grandchildren, not even Talia’s name came to memory. That night she collapsed as she walked from her bedroom to the bathroom. When Mauro found her on the floor of the hall, he said she looked not shaken or hurt but bewildered, and as he and Talia knelt by her side it was clear she’d forgotten where she was and who they were.