Back In the Company of Killers Save as PDF
Chapters (37)
  1. Cover
  2. Dedication
  3. Epigraph
  4. FALLEN GUARDIAN
  5. HOMECOMING
  6. ASSIGNMENT
  7. ON THE HUNT
  8. A SURPRISE ENCOUNTER
  9. THE PUBLIC HAS AN INTEREST
  10. THE CREVICE
  11. CHANGE, MOVE, OR DIE
  12. ONE BEAUTIFUL BATTLEFIELD
  13. CANDY FOR A WHALE SHARK
  14. ON ICE
  15. THE CONFESSION CLUB
  16. TWO-MAN TEAM
  17. REUNION
  18. BLOODING A KRIEGER
  19. THE PURGE
  20. FLUKE
  21. YOU WERE THE GUN
  22. THE UNRAVELING
  23. WHAT HAVE YOU DONE?
  24. THERE’S ALWAYS A WHO
  25. THE NEW ORANGE
  26. UNARMED IN THE COMPANY OF KILLERS
  27. A DIFFERENT SET OF TEETH
  28. MARCHING ORDERS
  29. MISCHIEF REEF
  30. THE UNDERTAKER’S SON
  31. HERE LIES TOM KLAY
  32. A DEATH IN CAMELOT
  33. WE BURY THEM ONE AT A TIME
  34. HOME
  35. ACKNOWLEDGMENTS
  36. ABOUT THE AUTHOR
  37. What’s next onyour reading list?

Assignments followed. A drink with a Gabonese security minister. A quick sketch of a Malaysian politician’s desk, dates read upside down from her appointment book. A visit with the chairman of the Djibouti Ports and Free Zones Authority to request dive permission. “Skimming the cream,” Eady called it.

Their method for communicating was simple and effective. When “the public had an interest,” Klay’s early drafts, copied to Eady and more fulsome than normal, became his Agency reports. He and Eady communicated through the Comments and Track Changes features in Microsoft Word, just like any far-flung magazine writer and his editor. No need for a throwaway encryption system; no risk to the Agency’s covert platform.

Eady’s edits and comments were Klay’s instructions: “Could use more detail here.” “Get contact address for fact-checkers.” “Do you have supporting documentation?” “Photos?”

Above all, nothing he wouldn’t otherwise do.

THE CREVICE

Sovereign Headquarters

Washington, DC

The elevator door opened onto the tenth floor, and before Klay could exit, a long wooden tribal mask with grassy yellow hair and bulging eyes lurched into the gap. Klay stepped back.

“Hey, Charlie,” Klay said, and held the elevator’s door.

Charles Hawthorne, chief archivist at The Sovereign, peeked his soft face out from behind the Dan mask he held with both hands. “Oh. Hey, Tom. Sorry about that.”

Hawthorne slid his generous belly and the tribal mask past Klay onto the elevator and set the chin of the mask on the toe of his shoe. “Didn’t expect to see anyone up here on a Sunday,” he said, holding the door. “Where you been this time?”

“Bangkok,” Klay said. He always said Bangkok. No one ever noticed.

“Must be nice.”

“He in?”

“Much as he can be.” Charlie hit the button for basement. It was a strange answer, but Charlie was an unusual guy. As the elevator’s door closed, he stuck out his tongue and bugged his eyes, his impression of a tribal mask. Klay laughed. He heard hammering coming from the next room. Eady was updating the floor’s exhibits. It was about time.

That it was Sunday made little difference for Eady. Sally would be at her desk until noon. Vance would be in his office well beyond that.

Klay rounded the vestibule into Eady’s gallery and was nearly run over by two men carrying a zebra head.

“Coming through,” said a workman.

Eady’s great photographic collection lay stacked along the room’s perimeter. In the middle of the room workers hammered a crate around the bathysphere. Like the belly of a gigantic housefly, Klay thought, wending his way among dozens of empty black support wires as he crossed to Eady’s corner office.