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Chapters (62)
  1. Title Page
  2. Copyright Page
  3. Epigraph
  4. Dedication
  5. PART ONE - Berlin, 1934
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. PART TWO - Havana, February 1954
  39. Chapter 1
  40. Chapter 2
  41. Chapter 3
  42. Chapter 4
  43. Chapter 5
  44. Chapter 6
  45. Chapter 7
  46. Chapter 8
  47. Chapter 9
  48. Chapter 10
  49. Chapter 11
  50. Chapter 12
  51. Chapter 13
  52. Chapter 14
  53. Chapter 15
  54. Chapter 16
  55. Chapter 17
  56. Chapter 18
  57. Chapter 19
  58. Chapter 20
  59. Chapter 21
  60. Chapter 22
  61. Chapter 23
  62. Chapter 24

Some parts of the Cockatoo were done up to look like a bar in French Polynesia, but for the most part it was velvet bucket chairs, flock wallpaper, and red lights, like any other place in Berlin. The blue-and-gold bar was said to be the longest in the city, but clearly only by those who didn’t own a measuring tape or thought that it was a long way to Tipperary. The ceiling looked as if it had been iced like a wedding cake. There were a dull cabaret, a dance floor, and a small orchestra that managed to dance around the Nazi disapproval of decadent music by playing jazz as if it had been invented not by black men, but by a church organist from Brandenburg. With nude dancing girls now strictly forbidden in all clubs, the Cockatoo’s gimmick was to have a parrot perched on every table. This only served to remind everyone of another great advantage of having dancing girls: they didn’t shit on your dinner plate. Not unless they were Anita Berber, anyway.

While I drank schnapps, Mrs. Charalambides sipped martinis like a geisha drinking tea and with as little obvious effect, and I quickly formed the impression that it wasn’t just a talent for writing she shared with her husband. The woman managed her drink the way the gods could handle their daily dose of ambrosia.

“So, tell me about Gypsy Trollmann,” she said, taking out her reporter’s notebook and pencil.

“Unlike the Turk, who’s no more Turkish than I am, Trollmann is a real Gypsy. A Sinti. That’s like a subset of Roma, only don’t ask me to explain how, because I’m not Bruno Malinowski. When we were still a republic, the papers all made quite a thing out of Trollmann being a gyppo, and because he was also good-looking, not to mention an excellent fighter, it wasn’t long before he was doing great. Promoters couldn’t get enough of the kid.” I shrugged. “I don’t suppose he’s older than about twenty-seven even now. Anyway, by the middle of last year he was ready for a shot at the German light heavyweight title, and there being no other obvious candidates, he was matched against Adolf Witt for the vacant belt, here in Berlin.

“Of course, the Nazis were hoping that Aryan superiority would win out and that Witt would beat his racially inferior opponent to a pulp. That was one of the reasons they let him fight in the first place. Not that this stopped them from trying to fix the judges, of course, only they hadn’t counted on the crowd, who were so impressed by Trollmann’s heart and completely dominant display that there was a riot when the judges gave the fight to Witt, and the authorities were obliged to declare Trollmann the winner, after all. The kid wept for joy. Unfortunately, his happiness was short-lived.