Chapters (62)
- Title Page
- Copyright Page
- Epigraph
- Dedication
- PART ONE - Berlin, 1934
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- PART TWO - Havana, February 1954
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
“Of course you were.” Quevedo smiled benignly. “It said, ‘Cuba’s Batista: He Got Past Democracy’s Sentries.’ Which is something of an exaggeration. For example, in Cuba there are no restrictions on freedom of speech or freedom of the press or freedom of religion. The Congress can override any legislation or refuse to pass what he wants passed. There aren’t any generals in his cabinet. Is this really what dictatorship means? Can one really compare our president to a Stalin? Or a Hitler? I don’t think so.”
I didn’t reply. What he said reminded me of something I myself had said at Noreen’s dinner party; and yet, in Quevedo’s mouth, it sounded somehow less than convincing. He opened the door to an enormous office. There was a big mahogany desk; a radio with a vase on top; another, smaller desk with a typewriter on it; and a television set that was switched on but had the sound turned down. A baseball game was in progress; and on the walls were pictures not of Batista but ballplayers such as Antonio Castaño and Guillermo “Willie” Miranda. There wasn’t much on the desk: a pack of Trend, a tape-recording machine, a couple of highball glasses with American flags embossed on their outsides, a magazine with a picture of mambo dance star Ana Gloria Varona on the cover.
Quevedo waved me to a seat in front of the desk and, folding his arms, sat on the edge and looked down at me as if I were some kind of student who had brought him a problem.
“Naturally I know who you are,” he said. “And I believe I’m right in thinking that the unfortunate murder of Señor Reles has now been satisfactorily explained.”
“Yes, that’s right.”
“And are you here on Señor Lansky’s account, or on your own?”
“My own. I know you’re a busy man, Lieutenant, so I’ll come straight to the point. You have a prisoner named Alfredo López here. Is that correct?”
“Yes.”
“I was hoping I might persuade you to let him go. His friends assure me that he has had nothing to do with Arango.”
“And your interest in López is what, exactly?”
“He’s a lawyer, as you know. As a lawyer, he did me a good service, that’s all. I was hoping to be able to return the favor.”
“Very commendable. Even lawyers need representation.”
“You were talking about democracy and freedom of speech. I feel much the same way as you, Lieutenant. So I’m just here to help prevent a miscarriage of justice. I’m certainly not a supporter of Dr. Castro and his rebels.”