Back If the Dead Rise Not Save as PDF
Chapters (62)
  1. Title Page
  2. Copyright Page
  3. Epigraph
  4. Dedication
  5. PART ONE - Berlin, 1934
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. PART TWO - Havana, February 1954
  39. Chapter 1
  40. Chapter 2
  41. Chapter 3
  42. Chapter 4
  43. Chapter 5
  44. Chapter 6
  45. Chapter 7
  46. Chapter 8
  47. Chapter 9
  48. Chapter 10
  49. Chapter 11
  50. Chapter 12
  51. Chapter 13
  52. Chapter 14
  53. Chapter 15
  54. Chapter 16
  55. Chapter 17
  56. Chapter 18
  57. Chapter 19
  58. Chapter 20
  59. Chapter 21
  60. Chapter 22
  61. Chapter 23
  62. Chapter 24

Meyer wore a pair of gray gabardine trousers, a matching cardigan, a plain white sports shirt, and thick-framed sunglasses that made him look more like an accountant than a gangster. Jake was similarly informal. He wore a loose terry-cloth shirt and a bookmaker’s little straw Stetson with a hatband that was as tight and narrow as his mouth. And hovering in the background was the tall, angular figure of Vincent Alo, whom I now knew better as Jimmy Blue Eyes. Alo wore gray flannels, a white mohair cardigan with a wide collar, and a patterned silk cravat. The cardigan was bulky, but not enough to hide the spare rib he was wearing under his arm. He looked like anyone’s idea of an Italian playboy as long as the play was a Roman revenge tragedy written by Seneca for the amusement of the Emperor Nero.

We were drinking coffee from little cups, Italian style, pinkies out.

“I’ve got a name,” I told them.

“Let’s hear it.”

“Irving Goldstein.”

“The guy who killed himself?”

Goldstein had been a pit boss at the Saratoga, occupying a high chair over the craps table. Originally from Miami, he had trained as a croupier in several illegal gambling houses in Tampa before his arrival in Havana in April 1953. This followed the deportation from Cuba of thirteen American-born card dealers who were employees of the Saratoga, the Sans Souci, the Montmartre, and Tropicana casinos.

“With the help of Captain Sánchez I searched his apartment in Vedado last night. And we found this.”

I handed Lansky a technical drawing and let him stare at it awhile.

“Goldstein had become involved with a man who was a female impersonator at the Palette Club. It’s my information that before he died, Max had found out about it and, not at all comfortable with Goldstein’s homosexuality, he subsequently told him to look for a job at another casino. The Saratoga casino manager, Núñez, confirmed that the two men argued about something not long before Max died. It’s my belief that this is what they argued about. And that Goldstein murdered Max in revenge for his dismissal. So he probably had the motive. He almost certainly had the opportunity: Núñez told me that Goldstein went on his break at around two a.m. on the night of the murder. And that he was away from the craps tables for about thirty minutes.”

“And your proof is . . . this?” Lansky brandished the sheet of paper I had given him. “I’m looking at it and I still don’t know what the hell it is. Jake?” Lansky handed the paper to his brother, who stared at it uncomprehendingly, as if it were the blueprint of a new missile-guidance system.

“That’s a very accurate and precise drawing for a Bramit silencer,” I said. “A custom-made sound suppressor for the Nagant revolver. Like I said before, because of the Nagant’s closed firing system—”