Back If the Dead Rise Not
Chapters (62)
  1. Title Page
  2. Copyright Page
  3. Epigraph
  4. Dedication
  5. PART ONE - Berlin, 1934
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. PART TWO - Havana, February 1954
  39. Chapter 1
  40. Chapter 2
  41. Chapter 3
  42. Chapter 4
  43. Chapter 5
  44. Chapter 6
  45. Chapter 7
  46. Chapter 8
  47. Chapter 9
  48. Chapter 10
  49. Chapter 11
  50. Chapter 12
  51. Chapter 13
  52. Chapter 14
  53. Chapter 15
  54. Chapter 16
  55. Chapter 17
  56. Chapter 18
  57. Chapter 19
  58. Chapter 20
  59. Chapter 21
  60. Chapter 22
  61. Chapter 23
  62. Chapter 24

I parked the car in front of a four-story apartment building that was as big as a city block. The smooth, modern façade was very slightly curved and pockmarked with different-sized, recessed windows, none of which was on the same level. It looked like a face recovering from a dose of smallpox. There were hundreds, perhaps thousands of these Weimar-built homes in Berlin, and they were about as distinguished as packets of Persil. And yet, although they despised modernism, the Nazis had more in common with its mostly Jewish architects than they might have thought. Nazism and modernism were both products of the inhuman, and when I looked at one of those neat, standardized gray concrete buildings, it wasn’t hard to imagine a neat, standardized detachment of gray storm troopers living in one, like so many rats in a box.

It wasn’t like that inside, however—at least not inside Stefan Blitz’s apartment. In contrast to the carefully planned modernism of the exterior, his furniture was old mahogany, tattered upholstery, chipped Wilhelmine ornaments, table oilcloths, and Eiffel Towers of books, with all of the shelves given over to slices of rock.

Blitz himself was as tattered as his upholstery and, like any other Jew who was forbidden his way of making a living, he was as thin as a maquette in an artist’s garret and hardly living at all. A hospitable, kind, and generous man, he displayed character traits that made him the very opposite of the grasping bogeyman Jew so often caricatured in the Nazi press. Nevertheless, that was what he looked like: a lecher in the stews of Damascus. He offered us tea, coffee, Coca-Cola, alcohol, something to eat, a more comfortable chair, chocolates, and his last cigarettes before finally, having refused them all, we were able to come to the point of our visit.

“Is it possible that a man could drown in seawater in the center of Berlin?” I asked.

“I assume you’ve discounted the possibility of a swimming pool, otherwise you wouldn’t be here. The Admiral’s Garden baths on Alexanderplatz is a brine bath. I used to swim there myself before they stopped Jews from going there.”

“The victim is Jewish,” I said. “And so, for that reason, yes, you’re right, I think I have discounted that possibility.”

“Why, if you don’t mind my asking, is a Gentile bothering to investigate the death of a Jew in the new Germany?”

“It’s my idea,” Noreen said, and told Blitz about the Olympiad and the failed U.S. boycott and the newspaper she hoped would put that to rights, and how she herself was a Jew.