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Chapters (62)
  1. Title Page
  2. Copyright Page
  3. Epigraph
  4. Dedication
  5. PART ONE - Berlin, 1934
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. PART TWO - Havana, February 1954
  39. Chapter 1
  40. Chapter 2
  41. Chapter 3
  42. Chapter 4
  43. Chapter 5
  44. Chapter 6
  45. Chapter 7
  46. Chapter 8
  47. Chapter 9
  48. Chapter 10
  49. Chapter 11
  50. Chapter 12
  51. Chapter 13
  52. Chapter 14
  53. Chapter 15
  54. Chapter 16
  55. Chapter 17
  56. Chapter 18
  57. Chapter 19
  58. Chapter 20
  59. Chapter 21
  60. Chapter 22
  61. Chapter 23
  62. Chapter 24

The Torpedo on the table in the window had a cover on it, but the alphabetical accordion file on the floor underneath told me it was getting plenty of use. The thing was full of correspondence to and from construction companies, gas companies, timber companies, rubber companies, plumbers, electricians, engineers, carpenters—and from all over Germany, too: everywhere from Bremen to Würzburg. Some of the letters were in English, of course, and several of these were addressed to the Avery Brundage Company in Chicago, which seemed like it ought to have meant something to me, but didn’t.

I raked through the wastepaper basket and smoothed out a few carbon copies to read before folding these and putting them in my pocket. I told myself Max Reles would hardly miss some correspondence from his wastepaper basket, although in truth I hardly cared if, on the face of it, Reles was helping to fix Olympic contracts. In a Germany governed by an ill assortment of murderers and fraudsters, I could see no point in trying to persuade an understandably reluctant Otto Trettin to take on a case that probably involved senior Nazi officials. I was looking for something more obviously criminal. I had no real idea of just what this might amount to. All the same, I thought I might recognize this if ever I saw it.

Of course, I was motivated by not much more than my own dislike and distrust of the man. These were feelings that had always served me well enough in the past. At the Alex we always said that an ordinary cop’s job is to suspect the man who everyone else thinks is guilty, but a detective’s job is to suspect the man who everyone else thinks is innocent.

Something caught my eye. The idea of Max Reles having such a thing as a ratchet screwdriver in a suite at the Adlon seemed a little out of place. It was lying on the window ledge in the bathroom. I was about to conclude that it might have been left there by a maintenance man, when I noticed what was written on the handle: Yankee No. 15 North Bros. Mfg. Co. Phil. Penna. USA. Reles must have brought the screwdriver from America. But why? The proximity of four screwheads in a marble-tiled panel concealing the lavatory cistern seemed to command investigation, and these were much easier to undo than perhaps they ought to have been.

With the panel removed, I peered into the space underneath the cistern and saw a canvas bag. I picked it up. The bag was heavy. I lifted it out of the cavity, placed it on the lavatory seat, and unlaced the neck.