Chapters (51)
- Front Cover
- Part One
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Part Two
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Part Three
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Part Four
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Part Five
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- SPOTLIGHT ON BOOKSELLERS: Q&A WITH ALEXIS HALL AND CATHY BERNER
- Acknowledgments
- About the Author
I made a choking sound. “I am not posh. I’ve only got one surname, and I come from a broken home.”
“So does Prince Harry. And generally people who make a big deal out of being too common for opera can’t also get a baroness to lend them her front room at short notice.”
“It’s not her front room, it’s her—”
“Grounds?” finished Oliver.
Okay, that sounded worse. And, worse still, Oliver totally had a point. “Oh, this is nice,” I told him. “It reminds me of when we were first going out and I didn’t like you.”
And it was testament to how far we’d come that I could say something like that and he’d laugh. And Oliver laughing in a special-occasion suit was a very good Oliver indeed.
Eventually we arrived at the court bit of Pfaffle Court. And while I didn’t know much about history, it was definitely the kind of place that the kind of person who wanted to get married in that kind place would want to get married in. Which was to say, big and fancy-looking with lots of windows and a dedicated posing staircase between two ornate pillars.
“Oh my,” said Oliver. “What a lovely Tudor manor.”
And, again, it was testament to how far we’d come that I had only a slight desire to shove him into a ditch. “Stop showing off.”
“But I’ve always felt my passing familiarity with well-known, highly distinctive architectural styles is an essential part of my bad-boy image.”
It felt bad to be laughing at the notion of Oliver having a bad-boy image because I knew he could be a bad boy when it counted. “Should I ask how you know it’s Tudor, or will I regret it?”
He shrugged. “We do a special house-recognising course in barrister school.”
“I know you’re joking, but even if you weren’t, that would not be the weirdest thing about your job.”
“My job,” began Oliver with the gravity of a legal professional, “is—”
Before he could insist that his job wasn’t weird and I could point out that any career that involved wearing a wig but never lip-synching was weird by definition, Melanie came flying towards us with impressive speed for a woman in a rose-gold frock and matching stilettos.
“Luc,” she cried. “Great to see you. Can you tell Bridge I’ll be back in two minutes? There’s an emergency at work. Don’t really have time to talk about it”—she took a deep breath—“but one of our authors is starting a book tour of the States on Monday. And we’ve accidentally booked him appearances in New York, Los Angeles, and Las Vegas.”
This seemed a fairly minor crisis by the standards of Bridge and Melanie’s jobs. “Aren’t they quite good places for a book tour?”