“Yes.” It came out a little more aggressive than I intended it. “Tenderly. In soft focus. With violins.”

“Well, I am quite tired, so I suppose that counts as soft focus. And while I’m sure there’s a string quartet somewhere in the building, I don’t think that would fall within their job description.”

“Fine.” I cast off my towel and arranged myself as seductively as I could on the rug. “Just. You know. Romance me, baby. Romance me hard.”

And Oliver, looking, I thought, significantly more awake than he had three minutes ago, crossed the room after me. He dropped to his knees and settled his body over mine, and I reached up my arms to embrace him. As it turned out, the whole fireplace thing hadn’t been totally oversold. The light painted us in tiger stripes of gold and shadows, and the heat fell over us gently like all the good bits of a blanket.

I can’t lie, I felt sexy as hell.

“Oh, Lucien,” Oliver murmured.

And I gazed up at him, too tired and too happy to resent to my own sincerity. “I love you.”

So. Yeah. That was a thing that happened.

Oliver and a fireplace and a soft rug. It was probably the least me thing I’d ever done, and I was okay with that.

Chapter 24

I WASN’T SURE WHAT I’D expected Coombecamden Cathedral to look like. On the one hand, it was a cathedral, and cathedrals are usually pretty bling. On the other hand, Coombecamden was a tiny little postage stamp of a place that was considered a city only because of a weird religious convention from the fifteen-forties.

So I was at once impressed and disappointed when we followed the large and surprisingly boisterous wedding party into town—or what passed for town, since a lot of it was countryside because a surprising number of English cities were—and found ourselves headed towards a towering Gothic structure that, while it wasn’t exactly Westminster Abbey, also clearly wasn’t your local parish church.

“Okay, architecture boy”—I leaned over to Oliver, who was looking out of the window of the minibus with the kind of genuine interest that I was far too cynical to be capable of—“tell me about this one.”

“I think it’s probably a mixture,” he said. “It looks like a medieval core with additions down the centuries until at least the Victorians.”

I gave him a sceptical look. “How do you know that?”

“I don’t particularly,” he admitted, “but when a small town has a big Anglican cathedral in it, it’s usually old. Otherwise, it would have been built somewhere more important. And since it hasn’t been downgraded to a church in the intervening centuries, it will have been added to over the years. If we go poking around, we might find some desecrated statues from the Reformation.”