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Contents ( 40)
  1. Jeff Noon
  2. Contents
  3. About the Author
  4. Part One
  5. Blue with Yellow Flowers
  6. Totems
  7. Marks on the Skin
  8. The Stranger
  9. The Middle Child
  10. Too Much Noise
  11. Down to the Roots
  12. The Shiver
  13. In the Dark
  14. Object of Desire
  15. Everyday Strangeness
  16. All That Remains
  17. Shrines
  18. Every Contact
  19. Part Two
  20. Bedsitter Land
  21. The Dreamers
  22. Decay Factor
  23. An Actress Prepares
  24. The Nine Stages
  25. The Living-room Theatre
  26. Contamination of Evidence
  27. Part Three
  28. A View of Dreamland
  29. The Devil Himself
  30. A Gift from Grandmother
  31. The Hidden Room
  32. The Gathering
  33. The Blackbird
  34. In Blue and Yellow
  35. Other Pathways
  36. Part Four
  37. A House of Twigs
  38. Spells Against Darkness
  39. SLOW MOTION GHOSTS
  40. THIS IS JUST THE BEGINNING

Another glance at his wristwatch.

‘She’s not coming.’

‘Have faith.’

‘We can go round, knock on the door.’

Latimer contemplated the empty fireplace. ‘She wants to meet us alone, away from her mother. That’s the deal.’

‘There’s a deal?’

‘Just sit down, Hobbes. You’re making me tired. And yes.’

‘What?’

‘There’s always a deal, you know that. Of some kind, or other.’

He could no longer see Latimer’s face clearly. He switched on the overhead light. Now the room was too stark, too bright. He was reminded of his first time here, seeing the dress laid out on the carpet, the sheer surprise of it.

Another playbill: When Dreams Unfold, a searing exploration of forbidden love. Only at the Aldwych Theatre. Opening: 2 September 1939. That would be right after the war started. The theatres stayed open, though, where and when they could. He knew that. Even during the Blitz.

‘Calling Planet Hobbes.’

‘What?’

Latimer had got up from her chair. ‘She’s here.’

Hobbes shook his head to clear it. He could hear the front door opening. ‘She has a key?’

‘That proves something, right?’

He turned towards the hallway, but Latimer held him back. ‘Let me handle this.’ He raised his hands in mock-surrender and moved aside.

A young woman came into the room. A teenager. Latimer greeted her, then looked over towards the inspector. He nodded.

Yes, it was her. The girl he’d seen in the cemetery, the girl in the flowery dress.

Latimer took charge. ‘Joan. It’s good of you to see us.’

‘I can’t stay long – I mustn’t, or else my mum will have a go at me. She doesn’t like me coming round here. She never did.’

Her voice denied everything genteel her mother had taught her: this was an accent learned from the playground, the bus stop and television. All the airs and graces cast aside: these days, everyone wanted to be working class, or at least to appear that they were.

‘Do you want to sit down?’

‘Don’t mind if I do.’ She was chewing on gum, and she kept moving it around her mouth as she spoke. ‘Thanks very much.’

She dropped into the most uncomfortable chair available, a rickety wooden one at the table. It creaked as she shifted about, one of her arms dangling over its back, the other playing with a long strand of hair, which had a frayed look about it: a favoured site of worry.

Latimer took a seat at the table. Hobbes remained on his feet.

It was strange. In the cemetery he had seen this young woman as a mysterious creature, something out of a dream almost, but now, seeing her in scuffed jeans, a blue sweatshirt and a purple bomber jacket, Joan Travis looked exactly as she was: the girl next door. Greasy black hair, a few spots on her chin, soft features. Her face was not yet fully formed.

She looked at Hobbes directly. ‘You’re the man who was chasing me.’

‘I wasn’t.’