Now she alighted in trees and watched. It made her recall watching over Aurora when she was a baby, neglected by the pixies who were supposed to raise her.

It made her think of Stefan, orphaned and desperate for power.

And it made her certain that getting Aurora away from other humans was the best way to keep her safe.

But as much as she might like to, she couldn’t just drag the girl back to the Moors and keep her there. No, she had to tempt Aurora to spend more and more time among the faeries until she forgot all about the humans. And for that, Maleficent needed something extraordinary.

A palace in the Moors.

A majestic place that would make the castle in Perceforest appear like a dull pile of rubble.

Stretching out her fingers, she began to twist and shape the earth, conjuring up soil and rocks in a spiraling path up a hill. And then she moved on to the palace itself, smoothing out great boulders into walls and thickening vines into staircases. Spires rose into the air, thick with moss, green and magnificent. When she was done, there was a castle where no castle had been, all of leaves and flowers, wood and stone—a living thing, pulsing with magic.

And if a part of her hoped to make up for the hurt she’d already caused Aurora with a truly extravagant gift, if part of the structure itself felt as though it were shaped from her guilt and her fear of losing Aurora again, well, that only made it more beautiful.

Chapter 5

Aurora spent the later part of the morning and the early part of the afternoon writing letters and sending pages running to deliver them. She wrote to her castellan, commanding him to send men-at-arms and watchmen to look for the missing groom. She sent another note to her stable master, asking him to provide a description of the boy—and to verify that a horse was missing. And she got a footman to check on the silver dish.

Then she wrote to her godmother.

The other notes could be carried by messengers, but that one could not. Aurora took it up to the dovecote and found a bird she had brought from the Moors. Its wings were white, its head black. Aurora had named it Burr.

“Here you are,” she whispered to the bird as she bound the note to its leg with a gently tied loop of twine. Then she took the bird out, holding the fragile body in her hands. Beneath soft feather, she could feel the rapid beat of its heart. “Take my message straight to Maleficent.”

When she threw the bird into the air, she thought of other wings. Wings trapped by her father, King Stefan. Wings beating their way home.