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Chapters (66)
  1. Cover
  2. Title Page
  3. Dedication
  4. Acknowledgments
  5. France / 1666
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Massachusetts / 1892
  12. Chapter 6
  13. Chapter 7
  14. Chapter 8
  15. Chapter 9
  16. San Francisco / 1927
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Cleveland / 1938
  24. Chapter 16
  25. Chapter 17
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Edinburgh / 1962
  32. Chapter 23
  33. Chapter 24
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Chapter 34
  44. Chapter 35
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Epilogue
  62. About the Author
  63. Preview of Broken
  64. Also by Kelley Armstrong
  65. Praise for Kelley Armstrong
  66. Copyright

A montage of images flipped past at hyperspeed, so fast I saw nothing but a blur of color. Then the reel slowed…on darkness. I waited, with growing impatience, like a theatergoer wondering when the curtain is going to rise.

A voice floated past. “I want to hurt him. Hurt him like he hurt me.”

There are many ways to say this line, many shades of emotion to color and twist the words, most of them angry, the flash fire of passion, later repented, or the cold determination of hate. Yet in this recital, there was only the petulant whine of a spoiled child who’d grown into a spoiled adult, never learning that the world didn’t owe her a perfect life.

Another voice answered, a whisper that rose and fell with the cadence of a rowboat rocking on a gentle current. “How would you do that?”

“I—I don’t know.” The pout came through loud and clear, then the demand. “Tell me.”

“No…you tell me.”

“I want to hurt him. Make him pay.” A pause. “He doesn’t love me anymore. He said so.”

“And what do you want to do about it?”

“Take away what he does love.” A trill of smug satisfaction, as if she’d surprised herself with her insight.

“What would that be?”

“The kids.”

“So why don’t you do it?”

I waited, tensed, expecting the obvious reason—the natural reason, mingled with a stab of horror for having thought of such a thing in the first place.

“I’m afraid,” she said.

“Afraid of what?” the voice asked.

“Of getting caught.”

I snarled and threw myself against the confines of the darkness that surrounded me.

The voices vanished, and I found myself in a small room. I was humming, rubbing my hands together. I looked down at my hands. A bar of soap in one, a wash-cloth in the other. A splash and a shriek of delight. I looked up, still humming, to see three small children in the bathtub.

I tried to wrench my consciousness free from Sullivan’s, my mental self kicking and screaming. The scene went mercifully dark.

Hate washed through me. Not my hate for her, but hers for another. I was back inside Amanda Sullivan, in another dark place. Dark and empty. The Nix was gone.

Gone! The bitch! She abandoned me, left me here alone. She promised I wouldn’t get caught. Promised, promised, promised!

The world around me cleared, like a fog lifting. The endless litany of hate and blame and self-pity still looped through my brain. Before me sat a pleasant-looking man in a suit.

“This voice…” the man said, his voice an even baritone. “Tell me more about the voice.”

“She told me to do it. She made me.”

The man’s eyes pierced Sullivan’s, probing, not buying this line of bullshit for one second. “Are you sure?”

“Of course I’m sure. She told me to do it.”