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Chapters (61)
  1. CRITICS ARE CALLINGGUARDIAN ANGEL“PARETSKY’S BEST WARSHAWSKI NOVEL.”* HERE’S WHY …
  2. Title Page
  3. Copyright
  4. Epigraph
  5. 1
  6. 2
  7. 3
  8. 4
  9. 5
  10. 6
  11. 7
  12. 8
  13. 9
  14. 10
  15. 11
  16. 12
  17. 13
  18. 14
  19. 15
  20. 16
  21. 17
  22. 18
  23. 19
  24. 20
  25. 21
  26. 22
  27. 23
  28. 24
  29. 25
  30. 26
  31. 27
  32. 28
  33. 29
  34. 30
  35. 31
  36. 32
  37. 33
  38. 34
  39. 35
  40. 36
  41. 37
  42. 38
  43. 39
  44. 40
  45. 41
  46. 42
  47. 43
  48. 44
  49. 45
  50. 46
  51. 47
  52. 48
  53. 49
  54. 50
  55. 51
  56. 52
  57. 53
  58. 54
  59. Dedication
  60. Thanks
  61. Also by Sara Paretsky

I dropped my report to Daraugh Graham in the mail on my way to the Stevenson, the expressway that follows the main industrial route through the heart of Chicago’s southwest side. Actually, it runs parallel to the Sanitary and Ship Canal, which was built to connect the Illinois and Chicago rivers back in 1900. The thirty-mile stretch of water, crisscrossed by rail beds, houses every variety of industry along its banks. Grain and cement elevators hover over heaps of scrap metal; truck terminals stand alongside the yards where Chicago’s mariners dry-dock their boats for the winter.

I got off at Damen, sliding past the little cluster of bungalows perched incongruously next to the exit ramp, and made a sharp left onto Archer. Like the expressway, the street follows the path of the Sanitary Canal; it used to be the main road through the industrial belt, back before the Stevenson was built.

Although this part of the city has pockets of quiet, well-kept streets, Archer isn’t one of them. Shabby two-flats and run-down bungalows are built flush with the sidewalk. The only grocery stores are holes in the wall that also sell beer, liquor, and school supplies. With the number of taverns the avenue supports it’s hard to know who keeps the grocers in business.

Mrs. Polter’s house was about five blocks up from Damen. It was a long, narrow box covered in asphalt shingles, which had fallen off in places to reveal rotting wood underneath. Mrs. Polter was moodily surveying the street from her front porch when I pulled up. “Porch” actually was a grand name for the rickety square of peeling boards. Perched on top of a flight of dilapidated stairs, it was just big enough to hold a green metal chair and leave room for the torn screen door to open.

Mrs. Polter was a massive woman, her neck missing in the circles of fat that rose from her shoulders. Her brown-checked housedress, which looked like a relic from the twenties, had long ago lost the struggle to cover her cleavage. A safety pin tried to make up the deficiency of cotton, but only succeeded in fraying the edges of the fabric.

As far as I could tell she hadn’t turned her head while I stumbled up the stairs, and she didn’t bother to look at me when I stood looking down at her. “Mrs. Polter?” I said after a long silence.

She gave me a grudging glance, then turned her attention back to the street, where three boys on bikes were trying to rear up and ride on their hind wheels. A piece of asphalt siding flapped behind us.

“I wanted to ask you a few questions about Mitch Kruger.”

“Don’t you boys think you can get on my property,” she shouted when the cyclists jumped their bikes over the curb.

“Sidewalk belongs to everyone, fat bitch,” one of them yelled back.