Art slept well as always, and at dawn he woke to the low hoot of an owl. The creek burbled below his window. It was a gray dawn, the air filled with the fog that nourished the sea pines. A tocking sound came from somewhere in the compound.

He dressed and went out. Everything was soaking wet. Down on narrow flat terraces below the buildings were rows of lettuce, and rows of apple trees so pruned and tied to frameworks that they were no more than fan-shaped bushes.

Colors were seeping into things when Art came to the bottom of the little farm, over the lagoon. There a lawn lay spread like a carpet under a big old oak tree. Art walked over to the tree, feeling drawn to it. He touched its rough, fissured bark. Then he heard voices; coming up a path by the lagoon were a line of people, wearing black wetsuits and carrying surfboards, or long folded birdsuits. As they passed he recognized the faces of the previous night’s kitchen crew, and also their driver. The driver waved and continued up the path. Art walked down it to the lagoon. The low sound of waves mumbled through the salty air, and birds swam in the reeds.

After a while Art went back up the trail, and in the compound’s dining room he found the elderly workers back in the kitchen, flipping pancakes. After Art and the rest of the guests had eaten, yesterday’s driver led them upstairs to a large meeting room. They sat on couches arranged in a square. Big picture windows in all four walls let in a lot of the morning’s gray light. The driver sat on a chair between two couches. “I’m William Fort,” he said. “I’m glad you’re all here.”

• • •

He was, on closer inspection, a strange-looking old man; his face was lined as if by a hundred years of anxiety, but the expression it currently displayed was serene and detached. A chimp, Art thought, with a past in lab experimentation, now studying Zen. Or simply a very old surfer or hang-glider, weathered, bald, round-faced, snub-nosed. Now taking them in one by one. Sam and Max, who had ignored him as driver and cook, were looking uncomfortable, but he didn’t seem to notice. “One index,” he said, “for measuring how full the world is of humans and their activities, is the percent appropriation of the net product of land-based photosynthesis.”

Sam and Max nodded as if this were the usual way to start a meeting.

“Can I take notes?” Art asked.

“Please,” Fort said. He gestured at the coffee table in the middle of the square of couches, which was covered with papers and lecterns. “I want to play some games later, so there’s lecterns and workpads, whatever you like.”