“And Coyote,” Nirgal added. Although, as he glanced over at his father, he could see that Art might find it hard to envision Coyote as any sort of economic theorist. At the moment Coyote was tapping madly at a keyboard beside another man, and when he lost the game they were playing he shoved the man off his pillow, explaining to everyone that his hand had slipped. “I’ll arm wrestle you double or nothing,” he said, and he and the man plonked their elbows on the table and tensed their forearms, and went at it.

“Arm wrestling!” Art said. “Now that’s something I can understand.”

Coyote lost in seconds, and Art sat down to challenge the winner. He won in seconds, and it quickly became obvious that no one could resist him; the Bogdanovists even clustered across from him, and got three and then four hands clasping his hand and wrist, but he smacked every combination of them down onto the table. “Okay I win,” he said at last, and flopped back on his pillow. “How much do I owe you?”

3

To avoid the aureoles of shattered terrain clustered north of Olympus Mons, they had to circle far to the north. They drove by night, and slept by day.

Art and Nirgal spent many hours of these nights driving the car and talking. Art asked questions by the hundred, and Nirgal asked just as many back, as fascinated by Earth as Art was by Mars. They were a matched pair, each very interested in the other, which as always made a fertile ground for friendship.

Nirgal had been frightened by the idea of contacting Terrans on his own, when it first occurred to him in his student years. It was clearly a dangerous notion, which had come to him one night in Sabishii and never let go. He had spent many hours over many months thinking about the idea, and doing research to figure out who he should contact, if he decided to act on the thought. The more he learned, the stronger grew his sense that it was a good idea, that having an alliance with a Terran power was critical to their hopes. And yet he was sure that all the members of the First Hundred he knew would not want to risk contact. If he did it, he would have to do it on his own. The risk, the stakes. . . .

He tried Praxis because of what he had read about it. It was a shot in the dark, as most critical acts are. An instinctive act: the trip to Burroughs, the walk into the Praxis offices in Hunt Mesa, the repeated requests for a line to William Fort.