Art certainly had been pleased, and so had his wife, although she had been elegiac as well. She herself had been hired by Mitsubishi’s synthesis management, and the big transnationals, she said, were like separate worlds. With the two of them working for different ones they were inevitably going to drift apart, even more than they already had. Neither of them needed the other anymore to obtain longevity treatments, which transnats provided much more reliably than the government. And so they were like people on different ships, she said, sailing out of San Francisco Bay in different directions. Like ships, in fact, passing in the night.

It had seemed to Art that they might have been able to commute between ships, if his wife had not been so interested in one of the other passengers on hers, a vice-chairman of Mitsubishi in charge of East Pacific development. But Art had been quickly caught up in Praxis’s arbitration program, traveling frequently to take classes or arbitrate in disputes between various small Praxis subsidiaries involved in resource recovery, and when he was in San Francisco, Sharon was very seldom at home. Their ships were moving out of hailing distance, she had said, and he had become too demoralized to contest the point, and had moved out soon afterward, on her suggestion. Kicked out, one could have said.

Now he rubbed a swarthy unshaven jaw, rereading the fax for the fourth time. He was a big man, powerfully built but with a tendency to slouch—”uncouth,” his wife had called him, although his secretary at Dumpmines used the term “bearlike,” which he preferred. Indeed he had the somewhat clumsy and shambling appearance of a bear, also its surprising quickness and power. He had been a fullback at the University of Washington, a fullback slow of foot but decisive in direction, and very difficult to bring down. Bear Man, they had called him. Tackle him at your peril.