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Contents ( 62)
  1. Contents
  2. Part One
  3. The Lady Killer
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Part Two
  20. The Twisted King
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-one
  27. Chapter Twenty-two
  28. Chapter Twenty-three
  29. Chapter Twenty-four
  30. Chapter Twenty-five
  31. Chapter Twenty-six
  32. Chapter Twenty-seven
  33. Chapter Twenty-eight
  34. Chapter Twenty-nine
  35. Chapter Thirty
  36. Part Three
  37. The Shifting World
  38. Chapter Thirty-one
  39. Chapter Thirty-two
  40. Chapter Thirty-three
  41. Chapter Thirty-four
  42. Chapter Thirty-five
  43. Chapter Thirty-six
  44. Chapter Thirty-seven
  45. Chapter Thirty-eight
  46. Chapter Thirty-nine
  47. Epilogue
  48. Acknowledgments
  49. Afterword
  50. Q&A with Kristin Cashore
  51. FIRE
  52. CHAPTER ONE
  53. CHAPTER TWO
  54. BITTERBLUE
  55. PROLOGUE
  56. PART ONE
  57. Stories and Lies
  58. CHAPTER ONE
  59. JANE, UNLIMITED
  60. Buy the Books
  61. About the Author
  62. Connect with HMH on Social Media

Ravi is Kiran’s twin brother, Jane remembers. Jane’s never met Ravi, but he visited Kiran sometimes in college. Her tutoring sessions had been different when Ravi was in town. Kiran would arrive late, her face alight, her manner less strict, less intense.

“Is Patrick in charge of transportation to and from the island?” asks Jane.

“I guess,” Kiran says. “Partly, anyway. A couple other people chip in too.”

“Do Patrick and his sister live at the house?”

“Everyone lives at the house.”

“So, is it nice to come home?” asks Jane. “Because you get to see the friends you grew up with?”

Jane is fishing, because she’s trying to figure out how these servant relationships work, when one person is so rich.

Kiran doesn’t answer right away, just stares straight ahead, her mouth tight, until Jane begins to wonder if her question was rude.

Then Kiran says, “I guess there was a time when seeing Patrick again, after a long absence, made me feel like I was coming home.”

“Oh,” says Jane. “But . . . not anymore?”

“Eh, it’s complicated,” Kiran says, with a short sigh. “Let’s not talk about it now. He could hear us.”

Patrick would have to have superpowers to hear a word of this conversation, but Jane recognizes a dismissal when she hears one. Peering through the window, she can make out the shapes of other boats, big ones, little ones, vaguely, through the downpour, docked in this tiny bay. Kiran’s father, Octavian Thrash IV, owns those boats, this bay, this island off the eastern seaboard, those waving trees, that massive house far above. “How will we get to the house?” she asks. She can see no road. “Will we ascend through the rain, like scuba divers?”

Kiran snorts, then surprises Jane by shooting her a small, approving smile. “By car,” she says, not elaborating. “I’ve missed the funny way you talk. Your clothes too.”

Jane’s gold zigzag shirt and wine-colored corduroys make her look like one of Aunt Magnolia’s sea creatures. A maroon clownfish, a coral grouper. Jane supposes she never dresses without thinking of Aunt Magnolia. “Okay,” she says. “And when’s the spring gala?”

“I don’t remember,” Kiran says. “The day after tomorrow? The day after that? It’s probably on the weekend.”

There’s a gala for every season at Octavian Thrash IV’s house on the sea. That’s the reason for Kiran’s trip. She’s come home for the spring gala.

And this time, for some inexplicable reason, she’s invited Jane along, even though, until last week, Jane hadn’t seen Kiran since Kiran’s graduation almost a year ago. Kiran had stumbled upon Jane at her job in the campus bookshop, because, like many visiting alumni, Kiran had remembered it had a public restroom. Trapped behind the information desk, Jane had seen her coming, an enormous handbag on her arm and a harassed expression on her face. With any other ghost from her past, Jane’s first instinct would have been to turn her shoulder, hide behind her dark curls, and make herself into a statue. But the sight of Kiran Thrash brought Jane instantly to the strange promise Aunt Magnolia had extracted from her before she’d gone away on that last photography expedition.