Back Graceling Save as PDF
Contents ( 62)
  1. Contents
  2. Part One
  3. The Lady Killer
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Part Two
  20. The Twisted King
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-one
  27. Chapter Twenty-two
  28. Chapter Twenty-three
  29. Chapter Twenty-four
  30. Chapter Twenty-five
  31. Chapter Twenty-six
  32. Chapter Twenty-seven
  33. Chapter Twenty-eight
  34. Chapter Twenty-nine
  35. Chapter Thirty
  36. Part Three
  37. The Shifting World
  38. Chapter Thirty-one
  39. Chapter Thirty-two
  40. Chapter Thirty-three
  41. Chapter Thirty-four
  42. Chapter Thirty-five
  43. Chapter Thirty-six
  44. Chapter Thirty-seven
  45. Chapter Thirty-eight
  46. Chapter Thirty-nine
  47. Epilogue
  48. Acknowledgments
  49. Afterword
  50. Q&A with Kristin Cashore
  51. FIRE
  52. CHAPTER ONE
  53. CHAPTER TWO
  54. BITTERBLUE
  55. PROLOGUE
  56. PART ONE
  57. Stories and Lies
  58. CHAPTER ONE
  59. JANE, UNLIMITED
  60. Buy the Books
  61. About the Author
  62. Connect with HMH on Social Media

There is nothing like the view offered to the author of a book that people embrace, reject, love, hate, but, regardless, read. The lucky author who’s treated to this experience receives revelations in waves—about readers, herself, her book, the book industry, the wonders of the Internet, the horrors of the Internet, human absurdity, human sweetness; about what matters, but also about what matters not at all. More than anything else, what changed in my life from publishing Graceling was my view.

May I share the view with you?

Here are some things I now see:

  • When you write a book, some of the people who love you and who never read books might read your book. It won’t even matter to you if they like it, because they will be so proud of you, and it will astonish you. You will feel like a star is shining inside your chest.

  • You will make mistakes. If you make them in your book, they will be preserved for all eternity. For example, you will write offensive things into your books, like a disabled character who’s healed by magic—a frequent and problematic trope in fantasy that I neglected to think about while I was writing Graceling. You will learn a lot from this experience. Especially how important it is to listen, how important it is to try to do better, and how likely it is that you will make more mistakes.

  • Po means “butt” in German. When your German publisher informs you of this, you will start laughing hysterically at the café table where you are hand-writing the first draft of your next book. You will scribble at the top of your notebook “PO = BUTT.” Ten years later, it will still make you laugh.

  • Your story about a narcissistic, cowardly, insecure, cruel king who has the magical ability to tell lies that people believe may, unfortunately, turn out to be a fable for your times, as such stories often do. Cruelty is never new; but also, heroism is real. As you see the people in the real world around you finding their voices and their strength in opposition to cruelty and thoughtlessness, you will want to write more characters who are doing the same. Maybe it can become a positive feedback loop?

  • People will tell you to your face what they think of your book, even the things they hate. Not because they’re unkind, but because they’ve temporarily forgotten that they’re talking about something you carefully crafted for years out of your own self. It will make you imagine yourself going to their places of work, standing over their shoulders as they perform knee surgery or make sandwiches, then telling them what you don’t like about the job they’re doing. Then this will make you laugh, and you’ll get over it. You are so lucky to have written a book that people read.

  • Often, when people talk to you about your book, they will actually be talking about themselves. They will be showing themselves to you, making themselves vulnerable. This is an undeserved gift. You should cherish it.

  • You will feel undeserving a lot of the time, actually. Just as some people will have no idea how much they’re hurting your feelings, other people—most people—will have no sense of how much they are bowling you over with their kindness; of how surreal it is to be thanked by a stranger who’s grasping your book to her chest as if she knows it belongs in her heart.

  • Even though when you wrote your book, you built only one door, every person who opens that door and steps through will be entering a unique world that is largely their own creation. You will have the honor of being the facilitator of this, but you will learn how much credit goes to the reader.

  • You will not know what to do with all the gratitude you feel. You will try to write an afterword one day and find yourself wishing they would just let you write the words THANK YOU, I DON’T DESERVE THIS, in big block letters spread out over the course of several pages.